The most difficult sport to shoot

December 2, 2008

People often ask “what is the hardest sport to shoot?”. I always say “downhill skiing”. Sure there are 5 hour long baseball games and 5 day cricket matches, football games in the rain, sleet and snow. Heck just making it through an Olympic games is a bit like boot camp. But when you add up all the work and skill that goes into making a good downhill skiing picture, for me, it’s the most difficult sport to shoot.

Lake Louise hosts “Winterstart” each year. The season’s first World Cup alpine downhill skiing races is held at what has to be one of the most beautiful places on earth. They come because Lake Louise is cold.

It’s beautiful, but it’s cold. If it’s -20c when you head up the hill in the morning with 50 lbs of cameras on your back it’s an average day. The cold means snow making , and they always have enough snow here early in the season to hold the races; take that global warming!

Now downhill skiing is hard not just because you’re having to shoot a skier coming at you at over 100 kilometers an hour , but the course they ski is some 3 km long and you need to find a position to shoot the race. You need to think about what the line will be, how the skier will come in and out of your limited focal range. You place your bet, set up your gear and wait for the race. Photographers have to be in position one hour before race time, so now you have to say warm. There are lots of ways to do this, but good ski boots, hand warmers, toe warmers and good gloves are essential. Ask any photographer that works in the cold and they will not have enough fingers on there hand to count all the different type of gloves they have tried.

So your camera is out . Your lens is usually long , meaning over 400mm. The skiers come fast. Safety has become a huge concern of the race organizers so each year we get pushed farther and father away from where we want to be on the course. The 400mm lens turns to a 600mm lens and 600’s turn to 800’s and now your dealing with F5.6 and very little depth of field. You become a little more blinded in picking up the skier as they come into range the longer the lens. The best pictures usually come from a lip or edge in the snow, that helps separate the skier and his skis and gives the picture depth. It also makes the position more blind as your down below the skier and they just appear on the edge of the lip out of nowhere, and zoom, they are gone. We are able to work around this by knowing when the timing intervals are for each race, if the racers leave the start every 1:15 seconds we can time our watches so we have a better idea of when to put your glove on a frozen lens and a frozen camera to your face. This all goes to hell if they have to make any repairs to the course, or a racer goes down. Then it’s back to a waiting game, making sure you don’t breath too hard and fog up your viewfinder. I would say most of what I shoot is zone focused, you focus on a location on the course where you think the skier will come through and then hit the button when they do. The new cameras are capable of autofocus, but that means being able to pick up the skier and hold them on target, it works for some positions, but for others it’s not the best option.

So you have been standing on the side of a mountain for an hour or more (not counting the time and effort it took to get there) and the race begins. There are more than 60 racers usually, but realistically the winner will come out of the top 40 at 2 minute intervals. That means another 80 minutes trying to stay warm and not miss a single racer, because anyone can win and you need to have the winner.
I filed from my position this year. Using an OQO, our paneikon software an EVDO cell card and the help of Shaun Best to edit from the bureau in Montreal. We had our action from the hill on the wire before anyone else. Andy Cark was at the finish area and Shaun was able to edit him off the snow as well. With all the effort our images made it into Europe to make deadlines from an 1130am race in Western Canada. The men travel down to Colorado for the next week of races and the women arrive here for the start of their downhill season.
Then it’s home to California to warm up.


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Very true !
As a swiss guy this is my favorite sport to shoot.
I just want to add to difficulty to stand with spikes on your ski boot on a deep blue frozen slope and the wind in your face (a killer). I usually take a thermos of tea with me just in case …

Posted by Denis Balibouse | Report as abusive

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Posted by Betting Video Blog » Blog Archive » Flip-Mania Part 1: Sports | Report as abusive

yuk!!! gimme 5 days of the most boring cricket to shoot!!!at least its warm and the beer cold….

Posted by mick | Report as abusive

Yep.. it’s a cold sport to shoot, but it’s also my favorite one to photograph.
You didn’t mention the biggest “challenge” of all… batteries don’t last long at those temps.

Last season I was covering an event held in Thunder Bay, Ont. It was so cold… the skiers were coming down the hill with their faces completely covered (windchill was -35c).

Posted by Rob Chandler | Report as abusive

[…] most difficult sport to shoot A Reuters story reckons ski racing is “the most difficult sport to shoot!” Possibly related posts: (automatically generated)dirty sport… dirty shoots…Medion’s […]

Posted by The most difficult sport to shoot « Writings about Photography, Travel, Food & Tech • Sydney Low | Report as abusive

Love the image of the ski racer taking off from the starting hut with the mountains in the background at the Lake Louise WinterStart World Cup. How can we get a copy of this image to use for our promotion of this race?? Thanks

Posted by AnneFrick | Report as abusive

Some of the images are very good, but not all of them. I envy the photographer’s who also covered the Rio De Janeiro carnival. I hope to cover some of the matches during 2014. If an agency is willing to look at my images.

Posted by nikonman | Report as abusive