As in the ruins of Beirut, Sarajevo or Stalingrad, the conflict in Syria is a sniper’s war. Men stalk their fellow man down telescopic sights on suburban streets, hunting a glimpse of flesh, an eyeball peering from a crack, using decoys to draw their prey into giving themselves away.
During weeks spent tracking the fluid frontline of the battle, veteran war photographer Goran Tomasevic provided daily evidence of an escalating conflict that the UN estimates has killed 100,000 people. Tomasevic photographed with exceptional proximity as combatants mounted complex attacks, managed logistics, treated their wounded, buried their dead – and died before his eyes.
This special package has been sent to coincide with an exhibition of Goran’s award winning work at Visa Pour L’image, the premiere international photojournalism festival. This exhibition was curated by Ayperi Karabuda Ecer.