Photographers Blog

Omaezaki, Japan

By Toru Hanai

Chubu Electric Power Co.’s Hamaoka Nuclear Power Station in Japan is located at water level next to a beach. It is also widely reported to be one of the world’s most dangerous nuclear plants as it sits close to a major fault line – not unlike the one that caused the Fukushima nuclear disaster.

I had an offer of an exclusive tour of Chubu Nuclear Power Station where an 18-meter (60 ft) high and 1.6 km (1 mile) long tsunami defense wall has been built at a cost of $1.3 billion.

Being located beachside I immediately thought of basing the main photo for this trip on this famous “ukiyoe” print by the artist Hokusai:

-The Great Wave off Kanagawa-

Hokusai (1760-1849) was a ukiyoe painter and printmaker during the Edo period. I guess that many people have seen this ukiyoe print.

I left Tokyo early with waders for fishing and a compact digital camera in a waterproof housing to get the photo I wanted. I was in time for the high tide.

Fukushima, Japan

By Issei Kato

“Let’s put our hearts together and keep going, Fukushima!” reads a large banner that hangs across a large steel structure that stands next to the No. 4 reactor building at Tokyo Electric Power Co’s Fukushima nuclear power plant.

The plant was overwhelmed by a massive tsunami and earthquake two years ago, triggering hydrogen explosions and a nuclear meltdown.

I was at the Fukushima site for the second time on Wednesday, ahead of the two year anniversary of the March 11 tsunami and earthquake, as a pool photographer, taking pictures of the crippled plant on behalf of foreign media based in Japan. This time, I was struck by how many more workers were on-site and the large number of tanks filled with contaminated water scattered around the area.

Kashiwazaki, Japan

By Kim Kyung-hoon

“Sleeping nuclear giants” – That was my first impression when I visited the world’s biggest nuclear power station, Kashiwazaki Kariwa power plant in Japan’s Niigata Prefecture.

GALLERY: IMAGES FROM THE PLANT

With seven reactors which can produce a total of 8,212 megawatts of electricity, this power station is officially registered as the largest nuclear power station in the Guinness Book of Records. But the reality of the power station is much different than its reputation. Two of its reactors were shut down for a time after the 2007 earthquake and the remaining reactors were taken offline for safety checks and maintenance due to public concerns about the safety of nuclear energy in the quake-prone country after Fukushima’s nuclear disaster.

However its operator Tokyo Electronic Power Co (TEPCO) hopes to get this power plant operating because they are overwhelmed by the soaring cost of fuel as well as radiation cleanup costs and compensation payments to displaced residents. TEPCO invited the Reuters multimedia team into the nuclear power plant in order to show their upgraded safety practice.

By Kim Kyung-hoon

There are several key descriptive phrases to keep in mind when talking about Japan; one obvious to everyone is “Rapidly Aging Society”.

The rise of the elderly population and falling birth rate are no longer surprising news. One in four people in Japan is now over 65 years.

If you have the chance to walk around Tokyo’s downtown area, you’ll probably nod your head in recognition of the truth of this phrase. When you stop at a crosswalk to cross the street, you will find yourself surrounded by people who have silver hair and are stooped with age. When you watch TV you will see commercials for adult diapers and denture washers, common during prime time. Because the elderly are a big consumer group in Japan, Japanese enterprises never forget to satisfy the elderly and they gladly provide elderly consumers with their state-of-the-art technologies such as a care robot or a walk-assist robot.

By Kim Kyung-hoon

When you look at the mountain of toys in this picture, you might think that your childhood dream has come true and this is a toy lover’s paradise.

In fact, what seemed to be a child’s dream come true was not a magic spell but “recycling”.

Japan’s famous contemporary artist, Hiroshi Fuji, renowned for using the theme of recycling in his various artworks over the last decade, held his solo exhibition in Tokyo and surprisingly, his art creations were made from more than 100,000 unwanted toys. The numerous toys had been collected from across Japan over the last 13 years through community activities to recycle these unwanted toys by bartering among children.

By Carlos Barria

A year ago I went to Japan to cover the aftermath of the earthquake and tsunami that destroyed the country’s northern coast.

At the time I was shocked by the scale of the destruction and felt I needed to show the magnitude of the disaster. I tried to fill my pictures with as many elements as possible. I even took a series of panoramic-format photographs, for a wider view.

My pictures at the time showed spaces filled with pieces of houses, twisted cars and people’s belongings– the debris of daily life.

By Toru Hanai

March 11 is here again in Japan.

A year after the tsunami devastated Higashi Matsushima city in Miyagi, seven-year-old Wakana Kumagai visited the grave of her father Kazuyuki with her mother Yoshiko, brother Koki, and her grandparents.

I first met Wakana last April, just weeks after the magnitude 9.0 earthquake and huge tsunami devastated Japan’s northeast Pacific coast. The school year begins in April here in Japan, and Wakana was carrying her new, shiny red school backpack as she visited her father at a temporary graveyard that housed those who died from the tsunami. She gracefully bowed to her dad, showing off her new bag and her dress she wore for the first grader’s ceremony as if she were at a ball, and told him that she just attended her school for the first time. Her graceful bow struck my heart.

The next time I saw Wakana was on September 11, half a year after the disaster. Seeing her pray at the spot where her father’s car was found, Wakana looked like she had grown up a little bit. I heard that she was writing letters to her father, saying “Daddy, I want to see you but there’s nothing I can do about it, right?”, then placing them in an urn containing her fathers’ ashes, which was still at their house because there were not enough spots for graves. Her message for her father sank into my mind.

By Toru Hanai

Choufuku Ishisone of Miyako, Iwate prefecture, owns a convenience store.

On March 11, 2011, Ishisone was driving to see his store after checking on his house following the earthquake and saw a black tsunami wave roar over a seawall. He made a U-turn, but the tsunami struck him from multiple directions, sending his car afloat. The engine stopped. He jumped out of the car in a hurry but lost his footing in the tsunami and was swallowed up in the thick, black water.

He managed to avoid cars, ships and other debris carried by the tsunami but the water level continued to rise steadily. Grabbing onto a power line pole as he was swept past, he scrambled up so desperately that he was about five meters high before he knew it.

“I want to be saved! That one feeling kept me climbing,” he said. “Then I thought I had to get off the pole somehow, but the water didn’t go down, which was very irritating.”

By Toru Hanai

It will soon be one year from that day – March 11, 2011.

Greetings among friends who meet after a long absence begins with, “Where and what were you doing on March 11?”

On March 11, 2011, I was photographing Prime Minister Naoto Kan during a committee session at the Parliament building in Tokyo.

At 2:46 p.m. the world started to shake really slowly.

I felt fear as the magnitude 9.0 earthquake struck, not only because of the intensity of the shaking but also the duration of it.

By Yuriko Nakao

The 3.11 Portrait Project brings smiles to the victims of the triple-whammy disaster through the power of the photograph

After the magnitude 9.0 earthquake rocked Japan in March 11 last year, as a photographer for a newswire service, I had many chances to document reality, which was often depressing and shocking. However, at times, I would feel rewarded when my work brought positive results by inviting support and compassion from around the world to those who were suffering. However, still, the support was often not directed specifically to the person pictured in my shots, which often made me feel helpless.

Japanese photographer Nobuyuki Kobayashi, 42, had experienced a similar feeling. His main field of photography was mostly to shoot commercial photos but past assignments included regions in conflict, and disasters such as the earthquake which hit off the coast of Sumatra, the 1995 Kobe earthquake and the attacks on 9/11. As what many Japanese photographers did after Japan experienced the worst catastrophe since World War Two, Kobayashi went up north to take photographs after his friend in Iwate prefecture asked him to. He shot pictures of the disaster and rubble in northeastern Japan, but came to question whether that was the role he should play.