I do enjoy a coincidence. The week after calls for prodemocracy demonstrations under the social media tag of "Jasmine Revolution" and the week before the National People's Congress (NPC), International journalists (and I of course include photographers under this title) are brought in by the authorities for "chat". During the "chat" they are reminded of the terms of their journalist visas and how quickly these visas can be revoked if the rules are broken on illegal reporting. Also outlined are places that special permission is needed to report from, Tiananmen Square heading the list. Our picture of a member of the PLA leaving the Great Hall in Tiananmen Square appearing to almost step on the photographer with this low angle picture, as I said I do love a coincidence.
from Russell Boyce:
As India heads towards their Republic Day celebrations, Prime Minister Singh makes minor adjustments to his cabinet while outside on the streets people demonstrate over food and fuel price inflation and corruption. Adnan Abidi produces a great picture as a middle-aged demonstrator gets to feel the full force of a police water canon. In stark contrast, B Mathur gets a glimpse of the dress rehearsal of the full military parade planned to celebrate India's independence where the security forces are deployed in a somewhat different manner. Danish Siddiqui added to the file this week with a well seen picture to illustrate a government spending initiative with a man pulling a pipe across a building site, the shadow creating an eye like image that almost seems to wink at the viewer.
from Russell Boyce:
One of the greatest pleasures in editing photographers work is finding an interesting visual nugget that may have already been missed. In years of looking at raw material a common trait I have spotted is that photographers who are headed to an assignment see something they are attracted to and take a picture of it thinking "that looks interesting". The assignment is shot, the pictures are quickly edited, captioned and transmitted but the picture that was instinctively taken because it was interesting is often condemned to the darkness of the archive folder on the backup hard drive, never to be transmitted because it was not part of the assignment.