Photographers Blog

Shouting into the wind

Flood

Before I start please spare a thought for the thousands who died when Cyclone Nargis hit Myanmar and the thousands more affected by it, who have lost loved ones, their homes and their livelihoods.

For a news pictures editor in charge of Asia yesterday was a tough day. The death toll was rising steadily as the enormity of the tragedy slowly unfolded and we worked hard at getting pictures from staff and stringers. Handout pictures from pressure groups were scrutinized and checked for usage rights usage and potential bias. We had staff waiting at airports to speak to tourists who may have had images of the scene as the cyclone struck.

The day was a stream of planning meetings, coordination with text and TV meetings, safety meetings, negotiations with wide eyed tourists all believing they had shot a million dollar picture, editing and captioning the results, trying to find staff with the requisite experience for the conditions, stroking those who had volunteered but lacked the experience and speaking to the photographers on the ground (compared to whom my day was a walk in the park - no power, no water, no food was the least of their worries).

So what was all this stressing about? The bottom line is to tell the story, honestly, fairly and objectively so the rest of the world can see something of this disaster in one of the most closed and oppressively run countries in the world.

At the end of yesterday I went home believing that a caring world knew about what was going on.

A toast to Adrees Latif

I’d like to add my own congratulations to the plaudits being lauded on Adrees Latif who has been awarded the Pulitzer Prize for Breaking News Photography. It is one hell of a picture.

The following images are unlikely prize-winners but serve to demonstrate the delight with which news of his win has been received by his Reuters colleagues. In the first Paul Barker, Editor Asia News Pictures and Asia Chief Photographer Russell Boyce toast his image;

 Adrees 2

while in the second the editorial team from text, TV, graphics and pictures at Reuters Asia HQ in Singapore drink his health as Adrees himself listens-in via the telephone on the desk to the right of the frame, from his assignment in Nepal.  

The story behind the Pulitzer picture

Reuters Bangkok senior photographer Adrees Latif tells how he took the pictures which won him a Pulitzer Prize. The pictures were taken in Myanmar during the protests in September last year and include the photo of Japanese video journalist Kenji Nagai being shot.

“Tipped off by protests against soaring fuel prices, I landed in Yangon on 23 September, 2007, with some old clothes, a Canon 5D camera, two fixed lenses and a laptop.

For the next four days, I went to Shwedagon Pagoda, two-three kilometres from the centre of town and waited for the monks who had been gathering there daily at noon.