Photographers Blog

Lalitpur, Nepal

By Navesh Chitrakar

Rato Machhindranath is the god of rain, so huge crowds gather in Lalitpur around a 32-meter (104 foot) high tower mounted on a chariot during the chariot festival in an effort to ensure good rains and prevent drought.

The highlight of the day is when someone climbs to the top of the chariot and throws a coconut to devotees below. This is an ancient ritual thought to guarantee the catcher of the coconut the birth of a son. Few people believe this nowadays and I think participation is more about enjoying and preserving the tradition.

Every year I saw the same man climb atop the chariot. Every year he threw the coconut down towards the devotees. I really wanted to show in pictures what the perspective of this man looked like.

This year I started searching for him as soon as I reached the chariot and there he was in his favorite spot, up at the top. I could not call him down, as he was sitting so high and the sound of the drums was too loud. I waited for him to come down.

Finally, the man I was waiting for came down. I was very happy to see him descending. He reached me and I introduced myself to him and asked for his name. I was shocked to learn that this man who I had been shooting pictures of for years could not speak. I wanted his help to shoot the picture I had planned and even though my challenge was growing tougher I didn’t give up. I smiled and grabbed his hand to get his attention. He smiled back at me. Once again I tried to ask for his name and he led me to another person who knew him and they told me his name. It was Chakala Dangol and he was 75-years-old.

Kathmandu, Nepal

By Navesh Chitrakar

I was on my way to cover another assignment when I got news of a leopard that had wandered into a town. Without wasting any time, I turned my motorbike around and rushed toward the scene. When I reached the area, I saw a huge crowd of people, most of them with big sticks, pieces of bamboo or farming tools, but I couldn’t see a leopard anywhere.

I asked one of the men standing near me and he pointed to the bush and said that was where the leopard was hiding. At that point, a policeman with a gun entered the bush and climbed up a small tree. I heard a big bang as he let off six rounds of gunfire – the sound was really loud. Was the leopard dead? Was it going to come out?

The gun had been fired to scare the animal and make it emerge from its hiding place, but the plan didn’t work. Up until that point, there had been no trace of the beast, only people making fun of it, shouting, looking toward the bush and cracking jokes. The policeman walked out of the undergrowth with his gun.

By Navesh Chitrakar

Born and raised in Kathmandu’s Newar community I am familiar with Lord Ganesh. His elephant head attached to a human body makes him easy to identify. Ganesh is honored at the beginning of rituals and ceremonies as we celebrate religious festivals.

This month, I had the opportunity to take pictures of Living God Ganesh after I asked one of my friends who was close to the living god’s family. I was pleased and surprised that the family was willing to accept me since they don’t normally allow pictures to be taken.

The first thing I saw was a six-year-old boy sitting on the sofa and yawning. The boy was the living god but he looked totally different from how he had looked when I saw him on the streets during festivals. In his home, the sofa was his throne.

By Tim Chong

I was covering the Singapore F1 Grand Prix over the weekend.

Sunday was race day and as usual I woke up a bit early to check the news. I saw on my twitter feed that a plane carrying tourists to see the Himalayan range and Mount Everest had crashed in Nepal.

I was on a similar flight a year ago myself and the tragedy felt especially personal because of its proximity.

Four airlines in Nepal operate these one-hour long mountain flights that allow travelers with limited time in Nepal to see a panoramic view of the Himalayan ranges and Mount Everest itself. I remember the day clearly, having arrived early at the domestic terminal of Kathmandu’s Tribhuvan airport. The aircraft was rather new; a twin-engine turbo-prop plane and I felt instantly relieved. Like any other flight, the usual routine applied. There was a safety demonstration, and everyone was made to buckle their seat belts.

This week Pakistan marked its day of independence from British rule with parades, parties, face painting and bombs.  Two pictures of faces covered in colour, one paint, the other blood, seems to sum up all there needs to be said about the national pride Pakistan feels while facing so many challenges. Visually the complementary colours of green and red (colours on opposite sides of the colour spectrum) make the pictures jump out of the page especially when put side by side. The angry eye staring out of the face of green in Mohsin Raza's picture engages the viewer full on while in Amir Hussain's picture the man seems oblivious of his wound as blood covers his face, again more opposites, this time not in colour but mood. India too is preparing to celebrate its independence and Dehli-based photographer Parivartan Sharma's picture of festival preparations came to mind after I put together the red-and-green combination picture from Pakistan.  

(top left) A man, with his face painted depicting the colours of the Pakistan national flag, attends a ceremony to mark the country's Independence Day at the Wagah border crossing with India on the outskirts of Lahore August 14, 2011. Pakistan gained independence from British rule in 1947. REUTERS/Mohsin Raza

A man, his face bloodied by a head injury, is held by a resident as he waits to be evacuated from the site of a bomb blast in Dara Allah Yar, located in the Jaffarabad district of Pakistan's Balochistan province, August 14, 2011. A bomb ripped through the two-story building in Pakistan's restive southwest on Sunday, killing at least 11 people and wounding nearly 20, police said. REUTERS/Amir Hussain 

China are hosting the 14th FINA World Championships in Shanghai. In my mind's eye, aquatics is a sport of power, grace, balance and beauty but our pictures seem to add the additional factors of concentration, determination or maybe sheer fear. Against my better judgement, I just have to mention that some of the expressions on the athletes' faces remind me of the age old tradition of gurning. What also made an impression are the angles, different points of focus and continually new shapes that compliment a file that could have been very repetitive.

Qin Kai of China perform during the preliminary round of the men's 3m springboard diving event at the 14th FINA World Championships in Shanghai July 21, 2011.        REUTERS/Bobby Yip

Italy's Linda Cerruti performs in the synchronised swimming solo free final at the 14th FINA World Championships in Shanghai July 20, 2011. REUTERS/David Gray

I am not a gamer at all but while looking at the file this week was reminded of a facility on electronic gaming my son showed me that allows you to see a different view point of the action. You can have wide, close and closer still. Two pictures of police beating protesters with batons have been shot as close as you can possibly get to the action but for sure this is no game.  Philippines based Romeo (Bobby) Ranoco picture is actually so close that it has been shot over the shoulder of the soldier, who, judging by the blood on the head of the unarmed protester, seems to have scored at least one direct hit . In India  and shot just slightly wider is Jayanta Dey's picture. The fact that it is shot slightly wider makes sure we are aware that it is actually three soldiers beating a protester and not one. The line of composition created by the baton and the flexed arm creating a perfect compositional triangle - Although I am not sure the protester would actually care about that. 

An anti-riot policeman hits a protester with a baton at a rally against what protesters claim to be U.S. intervention outside the U.S. embassy in Manila July 4, 2011. Filipino and U.S. troops are holding exercises in the Sulu Sea off the western Philippine province of Palawan, which lies near the disputed Spratly Islands. Conflicting territorial claims by several countries over the Spratlys and Paracels are raising tensions in Asia. Besides the Philippines, China, Vietnam, Taiwan, Malaysia and Brunei are claiming the islands as theirs. REUTERS/Romeo Ranoco

A policeman wields a baton against an activist of India's Congress party during a protest in Agartala, located in northeastern Indian state of Tripura July 10. 2011. Police used batons to disperse activists on Sunday protesting against the state's alleged discriminatory policies towards reservation of seats in local medical colleges, local media reported. REUTERS/Jayanta Dey

I do enjoy a coincidence. The week after calls for prodemocracy demonstrations under the social media tag of "Jasmine Revolution" and the week before  the National People's Congress (NPC), International journalists (and I of course include photographers under this title) are brought in by the authorities for "chat". During the "chat" they are reminded of the terms of their journalist visas and how quickly these visas can be revoked if the rules are broken on illegal reporting. Also outlined are places that special permission is needed to report from, Tiananmen Square heading the list. Our picture of a member of the PLA leaving the Great Hall in Tiananmen Square appearing to almost step on the photographer with this low angle picture, as I said I do love a coincidence.

A military delegate from the Chinese People's Liberation Army (PLA) leaves the Great Hall of the People after a meeting during the annual session of China's parliament, the National People's Congress, in Beijing March 4, 2011. China said on Friday that its official military budget for 2011 will rise 12.7 percent over last year, returning to the double-digit rises that have stoked regional disquiet about Beijing's expanding strength. REUTERS

Inside the Great Hall Jason shot this fantastic, Daliesque image of the headless conductor who appears to radiate waves from the central red star that has replaced his head. Another picture that caught my eye is the image of the patient watching the national address by China's Premier Wen Jiabao from her hospital bed. I wonder if the remote is within reach as these speeches tend to go on for quite a long time and imagine that if you are in hospital in pain there is only so much economic news you can absorb at one time ? Moving away from Beijing and the NPC I am really drawn to Aly's picture of the construction site which was shot to illustrate the housing inflation story in China (not an easy one at any stretch of the imagination). The metal reinforcement supports look like leafless trees, the solitary figure trudging through a lifeless, snowy landscape. 

Cyclone Yasi statistics were impressive, bigger than Katrina that killed more than  1,200 people in 2005, winds of 300 km (186 miles) per hour, more powerful than Cyclone Tracy that hit Darwin in 1974, killing more than  70 people and probably the most powerful in recorded history ever to hit the coast of Australia. The satellite pictures seemed to support all these claims. The expectation of devastation was high. I even began to fret about the claim that the concrete hotel that photographer Tim Wimborne was staying in was actually cyclone-proof. Experts had started to say that  cyclone proof buildings might not be. But Yasi passed and only one poor soul died (asphyxiated in his home by fumes from his own generator), a few homes had their roofs torn off, caravans were swept aside and minimal flooding. The only lasting effect that will hit us all are the increased insurance premiums, devastated banana and sugarcane crops; price rises are promised.

(Top left) A hand painted board protects the front window of a cafe in the northern Australian city of Cairns February 2, 2011. Category five Cyclone Yasi, expected to be the most powerful storm to cross Australia's heavily populated east coast in generations, is expected to make landfall late on Wednesday night. Thousands of residents fled their homes and crammed into shelters in northeastern Australia as the cyclone with a 650 km (404 mile) wide front barreled toward the coastline on Wednesday. REUTERS/Tim Wimborne

(Top right) Cyclone Yasi (top) is seen approaching the coast of Australia, at 2300 GMT on February 1, 2011, while Hurricane Katrina is seen with its outer bands lashing the Gulf Coast of the U.S. a day before landfall, August 28, 2005, in this combo of satellite images created February 2, 2011. Yasi, which has been upgraded to a maximum-strength Category 5 storm, is now moving with winds of up to 300 km (186 miles) per hour and has a 650 km (400 mile) wide front. Yasi's current strength is similar to Hurricane Katrina, which reached maximum Category 5 in the U.S. Gulf before weakening a little as it made landfall near New Orleans, causing altogether approximately 1200 reported deaths.

This week the blog should be called A Week (and a few extra hours ) in Pictures as I wanted to share a couple of images that came in late last Sunday and evaded my net as I trawled through the file. Both are from Thailand and both were shot by Sukree Sukplang. The first is a strong portrait of Thai King Bhumibol Adulyadej as he leaves hospital in a wheelchair to attend a ceremony to celebrate his 83rd birthday. The picture seems to me to mirror the respect that the Thai people have for their King. What makes me think this I am not sure; maybe its the side light which creates studio-like modelling on the king's face highlighting every detail of his appearance, the crispness of the clothes, the beauty of the ceremonial medals and the rich colour of the royal sash. Or maybe it's just the way he is looking back into the lens, his eyes full of dignity and determination.

 Thailand's King Bhumibol Adulyadej leaves the Siriraj Hospital for a ceremony at the Grand Palace in Bangkok December 5, 2010. King Bhumibol celebrates his 83rd birthday on Sunday.   REUTERS/Sukree Sukplang

 The picture of people releasing balloons into the air has amazing diagonal composition with the eye being led up into the darkened sky by the use of the disappearing lanterns as they float up into the darkness, the black space on the left holding in the picture so we don't float away too.