I do enjoy a coincidence. The week after calls for prodemocracy demonstrations under the social media tag of "Jasmine Revolution" and the week before the National People's Congress (NPC), International journalists (and I of course include photographers under this title) are brought in by the authorities for "chat". During the "chat" they are reminded of the terms of their journalist visas and how quickly these visas can be revoked if the rules are broken on illegal reporting. Also outlined are places that special permission is needed to report from, Tiananmen Square heading the list. Our picture of a member of the PLA leaving the Great Hall in Tiananmen Square appearing to almost step on the photographer with this low angle picture, as I said I do love a coincidence.
from Russell Boyce:
As India heads towards their Republic Day celebrations, Prime Minister Singh makes minor adjustments to his cabinet while outside on the streets people demonstrate over food and fuel price inflation and corruption. Adnan Abidi produces a great picture as a middle-aged demonstrator gets to feel the full force of a police water canon. In stark contrast, B Mathur gets a glimpse of the dress rehearsal of the full military parade planned to celebrate India's independence where the security forces are deployed in a somewhat different manner. Danish Siddiqui added to the file this week with a well seen picture to illustrate a government spending initiative with a man pulling a pipe across a building site, the shadow creating an eye like image that almost seems to wink at the viewer.
from Russell Boyce:
This week the blog should be called A Week (and a few extra hours ) in Pictures as I wanted to share a couple of images that came in late last Sunday and evaded my net as I trawled through the file. Both are from Thailand and both were shot by Sukree Sukplang. The first is a strong portrait of Thai King Bhumibol Adulyadej as he leaves hospital in a wheelchair to attend a ceremony to celebrate his 83rd birthday. The picture seems to me to mirror the respect that the Thai people have for their King. What makes me think this I am not sure; maybe its the side light which creates studio-like modelling on the king's face highlighting every detail of his appearance, the crispness of the clothes, the beauty of the ceremonial medals and the rich colour of the royal sash. Or maybe it's just the way he is looking back into the lens, his eyes full of dignity and determination.