Photographers Blog

Through opium fields

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By Damir Sagolj

She killed her husband by giving him six daughters. In the land of warriors, drug lords and brutal highlanders – he wanted a son. And then he just died disappointed, Moe Mohm said, leaving her to grow opium and raise girls.

By the fireplace, obviously the central point of a household high in the mountains of the Shan state, Moe sits and talks to us in a frantic combination of laughter and tears. She is an ethnic Pa-O and wears a towel above her pretty face with teeth ruined by betel nut. Only a glance at her hands reveals real age and hard work in fields. The house seems to be okay – humble but well kept and clean.

I take a few pictures just to get her accustomed to the camera. There will be a turn in her story as she talks through her life to the first journalists she has ever met and I want to capture the moment when it comes. It might take a while, but I know how to wait.

Here is another episode to think about, a real one with very real people. Not long ago, in a different country with similar problems, two colleagues, both photographers (it could be me), drove to a refugee center to join genocide survivors watching the TV appearance of one of those accused for the killings at a war crimes court. They knew it would be a strong moment. As they approached the village, one of them says to the other who is driving “stop by a grocery shop, I want to buy onion”. The other one, with a huge question mark above his head asks “why” to get a straight answer – to make a woman cry, to make our picture better. “WHF, what about moral and ethics, are you out of your mind“, argues the driver. The answer is another difficult question and makes you think – is it easier with onion or to ask all the questions, to torture and make the woman go through the horror of her past just to get that tear, only to make a picture better, more real?

How do you feel, I ask my colleague who sits next to me as we interview Moe Mohm, knowing the moment will come if we ask the right questions?

COMMENT

What an eye opener. Thank you very much for this story. I’m preparing for my firs visit to Myanmar and it’s stories like this that make me want to dig deeper, see further, listen harder. Best form Bangkok.

Posted by MaciekKlimowicz | Report as abusive

Poppy politics

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It’s not hard to find a field of poppies in the village of Jelawar, north of Kandahar. Some are hidden discreetly behind mud walls but others have been brazenly planted within sight of the main road. During a recent patrol, I accompanied Afghan National Army Captain Imran (he uses one name) and a group of U.S. civil affairs soldiers on a tour of Jelawar’s back roads as they tried to assess the extent of this year’s opium production.

The first field we came to was a couple of hundred meters across, filled with pink poppy flowers in full bloom. There were several men working the field and Imran asked them what they were doing. A farmer looked up from pulling weeds and said they were working on their onions. Indeed, in a poppy field the size of a football stadium there were a handful of green onion shoots pushing out of the soil. Not exactly the perfect cover, especially after the farmer admitted to planting the poppies in the first place.

As we walked from one poppy field to the next, Imran was not amused. Finally, he gathered a group of farmers together to give them some bad news. “President Karzai has said it is illegal to grow opium poppies and that they must be destroyed. I give you 48 hours to cut down your plants or I will return with Afghan police and Afghan soldiers and we will force you to destroy these fields.”

The farmers protested. What about the money we have already spent to prepare the fields and irrigate the land? Why not let us harvest this year’s crop and we will not plant next year? Imran was firm. “My hands are tied”, he said. “If I let one farmer harvest his crop then I must let everyone harvest their crops. Everyone must be treated in the same manner.”

COMMENT

This is fascinating.

Posted by CO0LHand | Report as abusive

from Russell Boyce:

Asia – A Week in Pictures February 13, 2011

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First, congratulations to Pakistan Chief photographer Adrees Latif and Bangladesh based photographer Andrew Biraj for their competition awards this week.  Adrees is the winner of the photojournalism category of the ICP Infinity Awards 2011 for his pictures shoot during the floods in Pakistan last year.  Andrew won third prize in the singles category of daily life in the World Press Photo Awards for his picture of an overcrowded train in Bangladesh.

Marooned flood victims looking to escape grab the side bars of a hovering Army helicopter which arrived to distribute food supplies in the Muzaffargarh district of Pakistan's Punjab province August 7, 2010. Pakistanis desperate to get out of flooded villages threw themselves at helicopters on Saturday as more heavy rain was expected to intensify both suffering and anger with the government. The disaster killed more than 1,600 people and disrupted the lives of 12 million.  REUTERS/Adrees Latif

An overcrowded train approaches as other passengers wait to board at a railway station in Dhaka, November 16, 2010. Millions of residents in Dhaka are travelling home from the capital city to celebrate the Eid al-Adha holiday on Wednesday. Muslims around the world celebrate Eid al-Adha to mark the end of the haj by slaughtering sheep, goats, cows and camels to commemorate Prophet Abraham's willingness to sacrifice his son Ismail on God's command. REUTERS/Andrew Biraj

In  the same week that Thailand and Cambodia faced off after shelling each other over the land surrounding the 900 year old  Preah Vihear temple, separatists killed three Buddhist monks in the south and  Prime Minister Abhisit decided to pose for pictures with veteran German rockers The Scorpions as they carried out their farewell tour. ( I am not sure who gained the most credibility from this meeting). Also,  newly formed Thai airline PC Air staged a photocall for their transsexual staff applying makeup to make them even more beautiful.  In Damir's picture the boredom of the Cambodian troops is brought across by the posture of the soldiers, the dull colours broken by the flash of orange from the monk's robes in the window.  I will let Chaiwat's picture speak for itself as the direct eye contact challenges all the senses.