By Joseba Etxaburu
I’m a fireman and photo stringer for Reuters. I have been coming to the San Fermin festival for the past 12 years.
One of the greatest pleasures in editing photographers work is finding an interesting visual nugget that may have already been missed. In years of looking at raw material a common trait I have spotted is that photographers who are headed to an assignment see something they are attracted to and take a picture of it thinking "that looks interesting". The assignment is shot, the pictures are quickly edited, captioned and transmitted but the picture that was instinctively taken because it was interesting is often condemned to the darkness of the archive folder on the backup hard drive, never to be transmitted because it was not part of the assignment.
On Jan. 14 Reuters hosted a live video Q&A with our renowned photographer Finbarr O’Reilly about his experiences in the war-torn Democratic Republic of Congo. Finbarr addressed what drew him to Africa and the most difficult aspects of being a photographer in a war zone.
Actress Jessica Biel arrives for the premiere of “Easy Virtue” in Leicester Square, London October 28, 2008. REUTERS/Luke MacGregor (BRITAIN)
I’ve spent the past month embedded with the German armed forces Bundeswehr – operating as part of the NATO-led International Security Assistance Force (ISAF) in northern Afghanistan – accompanying troops during missions from their bases in Masar-e-Sharif, Feyzabad and Kunduz. This is the first time the German army have allowed news agency photographers to be embedded with operational units, in the way the U.S. have allowed journalists similar access for many years. To be close to the units operating on the ground is the only way to report on their day-to-day work.