Wired at the Preakness Stakes
The 133rd running of the Preakness Stakes horse race was held in Baltimore this past weekend. It is one of the most prestigious events in the American horse racing calendar, the second race in the annual three race series beginning with the Kentucky Derby and ending with the Belmont Stakes in New York. Once again the Reuters pictures team (Jim Young, Molly Riley, Jonathan Ernst, Tim Shaffer and I ), were armed with spools of electrical wire, switches and cases of extra cameras and lenses as we arrived from Washington 10 hours ahead of the 6pm race to set up our ‘remotes’.
Remote cameras are triggered either by a cable or wireless transmitter, allowing a photographer to shoot multiple angles of an important moment like the finish of a horse race. They can provide an usually high or low angle to vary the type of pictures we like to provide to our clients. On news assignments remotes can also yield an alternative angle from a tight position or one that does not allow a camera to be hand held. The only limit to shooting remotes is the photographer’s imagination!!
With a cut-off time of 10am before the first race of the day, we set up five remote cameras under the inside rail of the track, and another on an observation post beyond the finish line with a high angle general view of the end of the race. Putting in place the gear – five EOS-1D Mark II cameras, an assortment of lenses from 16mm to 200mm, and their little mounting plates was a breeze, about 5 minutes in total, compared to the next step – getting them all to work!
Over the next hour, there ensued an awkward dance which involved laying our two-wire electrical cable in the mud alongside the inside rail of the track, clipping each remote camera’s slave cables into that string, and connecting a foot-switch that would fire all the cameras at the same time. All easier said than done when up to a dozen other photographers are doing exactly the same thing at the same time. Sports Illustrated alone laid out 12 cameras for the finish line picture.
Italy’s virtual election
The casual observer could be forgiven for wondering whatever happened to the Italian election. For a country which prides itself on the “colourful” antics of its political class, this year the vote was devoid of spectacle and celebration, which photographers prey upon. Silvio Berlusconi won the prime minister’s post after Walter Veltroni conceded defeat in a deadpan speech in Rome, and the best Silvio could do was telephone a few TV stations to say he was “moved”. I pleaded with our staff photographers to provide reaction pictures from party supporters either on the winning or losing side, but it was the equivalent of an emotional dustbowl in the streets of Rome. The only things missing were tumbleweeds blowing through the streets like in a Spaghetti Western. I’ve seen countless election campaigns in my career but this goes into the books as the dullest one… As a colleague noted, due to the stagnant economy this was probably a good election to lose, which may explain the lack of fanfare.
On the plus side, freelance photographers will be happy at the result. Whether or not one supports him, one thing is as sure as the sun rises — Silvio Berlusconi sells photos. Freelancers tell me that their incomes go up significantly during a Berlusconi term, now his third, because he creates news. The grey outgoing prime minister, Romano Prodi, failed to generate the same amount of editorial interest as his predecessor. Now, although the Italian economy may be in the doldrums, at least some of my colleagues can benefit.
I notice that in most reporting the fact that not a single Communist Party candidate won any office for the first time since WWII. Is something happening for the first time in 70 years not newsworthy? Not is it is bad for leftists, I suppose.
A toast to Adrees Latif
I’d like to add my own congratulations to the plaudits being lauded on Adrees Latif who has been awarded the Pulitzer Prize for Breaking News Photography. It is one hell of a picture.
The following images are unlikely prize-winners but serve to demonstrate the delight with which news of his win has been received by his Reuters colleagues. In the first Paul Barker, Editor Asia News Pictures and Asia Chief Photographer Russell Boyce toast his image;
while in the second the editorial team from text, TV, graphics and pictures at Reuters Asia HQ in Singapore drink his health as Adrees himself listens-in via the telephone on the desk to the right of the frame, from his assignment in Nepal.
I bet he’s pleased now that he diversified beyond basketball and maybe at long last my spell-checker will stop trying to correct his name to ‘Address’.
http://www.nppa.org/news_and_events/news/2008/04/pulitzer.html
The story behind the Pulitzer picture
Reuters Bangkok senior photographer Adrees Latif tells how he took the pictures which won him a Pulitzer Prize. The pictures were taken in Myanmar during the protests in September last year and include the photo of Japanese video journalist Kenji Nagai being shot.
“Tipped off by protests against soaring fuel prices, I landed in Yangon on 23 September, 2007, with some old clothes, a Canon 5D camera, two fixed lenses and a laptop.
For the next four days, I went to Shwedagon Pagoda, two-three kilometres from the centre of town and waited for the monks who had been gathering there daily at noon.
Since I was at the same pagoda every day, dozens of people, including monks, asked me who I was and what I was doing. As the ruling military regime is notoriously secretive, my replies were guarded.
Barefoot in maroon robes, and ringed by civilians, the monks chanted and prayed before starting their two-kilometre march to the Sule Pagoda in downtown Yangon. Each day their numbers grew, from hundreds to thousands.
By 27 September, the city had become packed with troops. Soldiers and government agents stood at street corners.
They came… we saw… she conquered…
The State visit to Britain by French President, Nicolas Sarkozy and his wife, Carla Bruni drew widespread attention not the least from the massed ranks of photographers and televison crews keen to record the couple’s every step. No cliche was left unturned as members of the press vied with one another to describe their partnership.
But… a state visit by a French President would always draw interest, and with the added glamour angle you had a winning formulae. The drab world of formal visits was to be given a makeover - I for one hoped so. In my view, the visit was not so much a breath of fresh air blowing away the cobwebs, but a mix of contrasting elements standing together. With this visit we hoped to see contrasts of age, style and appearance. In addition the sense of anticipation was heightened because the people involved represented the historic differences between the English and the French. Would they come together in a new entente cordiale? Would the charge be led by the French President? Not on your life, it was led by his wife, the amabassador extraordinaire.
Did Carla Bruni-Sarkozy disapoint? Here are the photographs, judge for yourselves.
(Apologies for the cliches and metaphors – all of them mixed)
France’s first lady Carla Bruni is off to a good start as she rides in a carriage with Britain’s Prince Philip on route to Windsor Castle. Photograph by: Darren Staples
I am pro-France, but the President and the first lady are not needless to say are good representation of people of France. They seem to be ignorant of different ethnics, but being social birds…
Back on the Taiwan Killer media bus
On my way back from a routine election assignment in Hsinchu, a fellow wire photographer quizzes me on my age.
“Errr… 26″ I reply and the other wire photographer goes “Wah sey!” which translates as something like “Whoa” if there is such a word in english. He proceeds to to tell me that he can’t remember where he was when he was 26.
Which is probably also why Russell, the Asia Chief photographer, asked me to write about my newbie experience operating and planning my first big team story, namely the Taiwan presidential election won by Nationalist candidate, Ma ying-jeou.
My plan was simple, don’t screw up and don’t miss any news. I must admit though, I would not have had such a comprehensive coverage of the elections without the guidance of Reinhard Krause and Russell Boyce (If I was an ‘Angel’, they would be Charlie).
Also, kudos to Darren Whiteside, Bobby Yip and Pichi Chuang who covered all the assignments in Taiwan with such energy and creativity. These guys really are the best!
(Darren in the centre with red bandana on the Taiwan Killer media bus, picture taken by Bobby Yip)
Cook the Hunt
The recent general elections in Spain were held in the wake of an ex-socialist councillor shot dead in the Basque Country in a place near my hometown. I was working on the afternoon shift when I saw the first alert of the assassination appear on our text service. I almost jumped out my chair. Somehow my internal alarm bell still goes off instinctively whenever something happens in the area where I used to work. It was only after a couple of seconds that I realized I’m 12,000 kilometers from where the assassination took place, and I couldn’t just grab a camera and go. There wasn’t much I could do, except get in touch with the photographer in the Basque Country, make sure he was aware of the breaking news, and then prepare for his pictures to land on the desk. Above: Basque police collect evidence outside the house of a former socialist councillor after an attack in Mondragon, northern Spain, March 7, 2008. Photograph by Vincent West
Above: People stand during a silent protest in Burgos, northern Spain March 7, 2008, against the murder of Isaias Carrasco. Photograph by Felix Ordonez
Above: Spanish vice president Maria Teresa Fernandez de la Vega (R) and Spanish Socialist Party spokesman Jose Blanco (C) walk in front of the coffin of Isaias Carrasco carried by Basque Socialist Party general secretary Patxi Lopez (back L) and Basque socialist’s president Jesus Egiguren, during a funeral in Mondragon, northern Spain, March 8, 2008. Photograph by: Vincent West
The political fallout of the murder clearly made for an intense election weekend in Spain. The picture desk received and sent a constant stream of photographs – including presidential candidates, polling stations, street reactions, the winners, the losers and a funeral. The pictures flowed quickly into the desk, and by the time the last pictures arrived we were up against most deadlines . I was inevitably assigned to handle the file. I guess there was no surprise there, because as I am being familiar with the region, it’s facts and politics, people and names, it made editing faster and smoother — and that is what our business is all about.
Above: A father and daughter prepare a ballot at an Oviedo polling station during Spain’s general elections March 9, 2008. Photograph by Eloy Alonso
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The Wall
I once heard Bill Frakes say something along the lines of (and this is an extremely rough paraphrasing), “Just because I wasn’t holding the cameras doesn’t mean I didn’t completely take the shots.”
This seems to make that point quite well.