Reuters photojournalists are continually bearing witness to events as they happen across the globe. They distribute over half a million pictures each year, pushing the boundaries of what news photography is and can be. Our World Now draws upon this unparalleled resource to document a year in the life of our vibrant, troubled, beautiful planet. In over 350 photographs, this book combines information and emotion to present a vivid mirror of our times. The second volume of this collector’s series is an indispensable visual record of a turbulent year that will be remembered as a turning point of our age.
In the history of embeds, this one has been pretty unremarkable so far. I kicked things off in Dubai with an impulse purchase of a Canon 5D Mark II. Stills and video ! ASA 6400 ! 20 MB files ! It seemed like a great idea until I dropped it in the mud on a patrol. So much for the resale value.
On Jan. 14 Reuters hosted a live video Q&A with our renowned photographer Finbarr O’Reilly about his experiences in the war-torn Democratic Republic of Congo. Finbarr addressed what drew him to Africa and the most difficult aspects of being a photographer in a war zone.
For sub-editors on Reuters Singapore Picture Desk, one of this year’s performance targets is a “shooting assignment”. They have to select and plan a valid photographic assignment and then shoot pictures for the wire. The exercise is intended to give them practical insight into the working lives of busy photographers in the field and the decisions and operational challenges they face on a daily basis.
Japan’s sleepy town of Iga offered an opportunity for me to write my first story for the news wire. Iga is known to many Japanese as one of the traditional home towns of the ninja. I was looking forward to seeing tens of thousands ninja clad enthusiasts, the ninja themed-train and a house with secret escape passages – the home of a real ninja.
For those who may have missed it, this is the Reuters story reporting the killing of Reuters cameraman Fadel Shana in the Gaza Strip on Wednesday. It is a tragic loss and I would like to add my condolences to his family, friends and colleagues.
The casual observer could be forgiven for wondering whatever happened to the Italian election. For a country which prides itself on the “colourful” antics of its political class, this year the vote was devoid of spectacle and celebration, which photographers prey upon. Silvio Berlusconi won the prime minister’s post after Walter Veltroni conceded defeat in a deadpan speech in Rome, and the best Silvio could do was telephone a few TV stations to say he was “moved”. I pleaded with our staff photographers to provide reaction pictures from party supporters either on the winning or losing side, but it was the equivalent of an emotional dustbowl in the streets of Rome. The only things missing were tumbleweeds blowing through the streets like in a Spaghetti Western. I’ve seen countless election campaigns in my career but this goes into the books as the dullest one… As a colleague noted, due to the stagnant economy this was probably a good election to lose, which may explain the lack of fanfare.