Photographers Blog

When tragedy turns to joy

Rio de Janeiro, Brazil

By Sergio Moraes

I never imagined to find so many tragic stories that end with joy, until I discovered the project called “Praia para Todos”, or “Beach for Everyone.” The project, sponsored by the NGO Instituto Novo Ser in Rio, offers recreation and sport to the physically handicapped on Saturdays at Barra da Tijuca beach, and on Sundays at Copacabana. The project is run by physical therapists and students, all of them volunteers. They built ramps on top of the sand so that wheelchairs could easily reach the water’s edge.

In my first contact with the organizers, I asked for help to meet some of the visitors so that I could follow their personal stories. The first one I spoke to was Patricia Alves de Souza, 41, the mother of an incredible boy named Jorge, or Jorginho. Jorginho, 11, was born prematurely with brain paralysis. Jorginho is crazy about soccer, and doesn’t tire of telling stories about his favorite team, Vasco da Gama. He knows everything about Vasco.

Jorginho has always dreamed of going to the beach and swimming in the sea. Since he lives in Iraja, a middle-class neighborhood 35 km (20 miles) from the shore, the first time he was able to go to a beach was in 2009, but he never reached the water. His mother, who was abandoned by her husband after Jorginho was born, couldn’t push the wheelchair on the sandy beach at Copacabana.

Last February, thanks to Beach for Everyone, Jorginho bathed in the sea for the first time. When I entered the water with him, I asked him what he thought of the water. He answered with the question, “Are you going to remember this day, forever?” I told him yes. He couldn’t thank the volunteers enough for helping him in the amphibious chair.

I met another person who was lots of fun, Marcelo Cardoso. Marcelo, 20, is a swimmer who competes in butterfly in spite of having been born with a malformed spine. He can’t walk, but he can swim. When he arrived at the program, he didn’t tell the counselors that he knew how to swim and picked out two young and pretty volunteers to help him into the water. After being held by them for some time, he suddenly took off swimming. When the girls asked him why he didn’t say anything before, he laughed. “I wanted to spend time with you.”

Rio from above

Rio de Janeiro, Brazil

By Ricardo Moraes

Flying over Rio is always incredible. Seeing my city from the sky reveals its beauty from new angles.

My recent flight over the city was focused on the renovation work being carried out at the Maracana Stadium, which will host games for the Confederations Cup this year, the soccer World Cup in 2014 and the 2016 Olympic Games.

With these big events fast approaching, we are constantly monitoring the progress of building works. The new roof being installed at Maracana is supposed to be its big moment, marking the beginning of the end of renovations.

Carnival, from film to Paneikon

Rio de Janeiro, Brazil

By Sergio Moraes

I remember it as if it were yesterday. I was a staff photographer at the Isto É news magazine when I was assigned for the first time to cover the Carnival parade of samba schools. The year was 1986, and I was 24.

GALLERY: BRAZIL’S CARNIVAL

From then to now coverage of the event changed a lot, I changed a lot, and even Carnival changed a lot. By coincidence that was the first year that the parade was organized by LIESA, Rio’s Independent League of Samba Schools, which still organizes it today.

I felt as if I had received a present.

I went to the parade with the joy and excitement of someone going to a World Cup or Olympics. Back then 14 samba schools competed in one long night, while today there are 12 split across two nights. When the last school hit the runway I was on my 48th roll of film as if it were my first. Such was my joy at covering.

Rio’s ballerinas

By Pilar Olivares

When I first reached Ballet Santa Teresa’s school for underprivileged girls and met the students, I didn’t take a single picture. I didn’t dare to. The girls, who are almost all from families living in some form of social risk, approached as if confronting me, dancing and yelling.

For a while I felt like an intruder. They were wearing jeans instead of ballet dresses, and were listening to Rio’s famous funk carioca music. At my home in a mountainous neighborhood of Rio, I hear funk floating towards us from the surrounding shantytowns known the world over as favelas.

So these girls, completely fascinated by this music that I find irritating, shut off their music players as soon as Vania arrived. Vania, a former professional ballerina and now director of the school, doesn’t like funk either, and doesn’t like them to listen to it. The girls, who can be as rude as they are angelic, hurriedly dressed and suddenly became purely feminine as they put on their makeup for an important rehearsal. Several of them didn’t know how to use makeup, so Vania came over to help.

Favela fighter

When I reached the Chapeu Mangueira favela in Leme, a slum that borders on Copacabana, I was expecting to do a story on a martial arts school for poor kids. But there I met “Nativo” (Native), expert in what is today called MMA/NHB, or Mixed Martial Arts/No Holds Barred fighting. Nativo is the nickname of Fabio da Conceicao Ventura, 25, a lifelong resident of the same slum. Nativo told me how he was born in Chapeu Mangueira, and when he was just five he watched his mother set fire to herself to escape her miserable life. Two years later his father kicked him out of the house and he found himself on the streets.

In the streets Nativo learned to steal before joining up with drug traffickers. He told me how he first liked to rob tourists on Copacabana Beach, but then how it was really being part of a drug gang that made him feel most protected. He made it obvious to me that the gang came to be his family. With them he would spend hours consuming drugs and taking care of business inside the slum.

I started to photograph him and accompanied him around the narrow streets of the favela that was “pacified” by police in June, 2008, as part of a government program. Nativo showed me the places where drugs used to be commonly sold, and where he sat with his rifle giving cover to the gang.