By Jason Reed
Just a couple of months ago I was swirling in a perpetual bubble, a privileged circle of photographers whose job it is to photograph one man β the President of the United States.
I did it for ten years and mostly enjoyed every minute. Over that period of time there comes a predictable familiarity to the role, in which you can pre-write all your captions hours and sometimes days in advance and plan your coverage down to the last detail. It is a safe and cosy existence. Due to the nature of the subject, it needs to be.
Behind the velvet rope, boundaries are respected and the presidentβs handlers and the Secret Service ensure you are no closer to him than you need to be. Your bread-and-butter lens is most often the 70-200mm telephoto zoom variety and getting an exclusive image is almost impossible. Subtlety and nuance in your edit is the biggest differentiator between your work and the person that just shot the same thing over your shoulder.
I enjoyed the experience and learnt a heck of a lot from some great photographers at the top of their game. This was my life for a decade, but my feet were getting itchy and it was time for a change of environment. Well, be careful what you wish for!
I started a new role based in Australia, and barely a month in I knew working life would be different. I enjoy new challenges, but the contrast between working environments was about to prove as extreme as they comeβ¦