By Jorge Silva
I have wanted to photograph life inside Caracas’ Tower of David – also known as “the vertical slum” – for years now. At times, it became something of an obsession; it was a story I had to tackle.
The tower is an icon of modern-day Caracas. Although squats or “occupied spaces” are common downtown, the Tower of David has literally taken the phenomenon to whole new levels. The third-tallest building in the country, it was intended as a financial center but abandoned after its developer died and the financial sector crashed. Squatters have now occupied the tower for years. Its unfinished, humongous, modified skeleton can be seen from almost anywhere in the city. The stories of what happens inside have become the stuff of urban legend.
The place could be the perfect setting for what the Peruvian novelist Mario Vargas Llosa has called the “novela total” or “complete novel” – a book that encompasses the many and contradictory aspects of life. The tower is a physical example of the greatest problems faced by Venezuelan society: a great scarcity of housing, and a security crisis. It is also a symbol of what happened after the collapse of the country’s financial system in the 1990s and of the historical juncture at which Venezuela’s Bolivarian Revolution now finds itself.
The first time I tried to get access to the tower wasn’t really a success. I was told, not in the friendliest of terms, that I should leave while I still could. This happened sometime after a critical article appeared in The New Yorker and was widely translated in Venezuelan media, featuring a long interview with the man who led the occupation of the building in 2007 – a born-again evangelist who had done prison time.
The residents of the tower, and particularly those in charge of managing it, were (and still are) very sensitive to media. Publications frequently feature headlines such as: “Tower of terror,” “The shanty skyscraper,” “Inside the tallest vertical slum in the world,” “Woman raped in the tower of David.” It has even been featured in an episode of the TV series “Homeland” as a kidnappers’ den.