Photographers' Blog

This isn’t my first Mardi Gras

Sydney, Australia

By Tim Wimborne

Not many photographers look forward to shooting on the street on a wet Saturday night. This probably led to my ‘big break’ with the sole agency I had my eye on shooting for – more so than the months I had spent promoting myself as a potential Reuters stringer. And so I covered the 2001 Sydney Gay and Lesbian Mardi Gras Parade. I got there early, left late, carried too much gear, over shot and over filed.

Now, after a couple of years freelancing and then a decade as a staffer with assignments in dozens of countries, my time Down Under is up. This month I take on a new position with Reuters in Singapore. My last assignment in Australia? The 2013 Sydney Gay and Lesbian Mardi Gras Parade.

2001 – I was still shooting film and used a Nikon F5. I would have used Fiji-color 800 film, maybe pushed a stop.
2013 – Last Saturday I covered the parade using Canon EOS 1Dx bodies, 16Gb cards although still shooting mostly with prime lenses.

2001 – After leaving the crowds on Oxford Street I raced on foot to a minilab machine in town and waited over an hour for all the rolls to be processed. (Being a freelancer I would have invoiced for every roll I used. I think I charged for four rolls but in my inexperienced style probably shot about 10 rolls or more)
– From there it was back to the office and pouring over uncut films with a loupe on the lightbox.
– Scanning low res versions and then finals selects on a Nikon CoolScan LS-2000.
– Captioned scans ftp’d to the London editing desk (Singapore, the closest) was closed by that hour of the night.
2013 - I filed these from the office nearby a few minutes after leaving the parade but without the rain may have edited from the street from a 4G connected netbook.

2001 – Photographers had full range of the parade route, moving between floats and dancers and talked freely to participants.
2013 – Almost all media are barricaded into five street side pens, shooting from the side, not permitted to speak to participants (except authorized spokespeople). Perhaps this is what the age of corporate sponsorship brings?

Blue + Yellow = Green

Sydney, Australia

By Daniel Munoz

I knew before it started, that trying to avoid the colorful powder would only make it worse. So, I decided to go all the way and get in close – deep and merciless.

As the clock struck 9 last Sunday morning, the official start of this fun run, I grabbed my two camera bodies and stepped into what was known as the ‘blue zone’. The first runners came towards me, and the fun began.

People from all ages ran around Sydney’s Olympic Park, with only one intention: get as much color powder thrown at them as they could, and of course, being a professional photographer, my mission was to be as close to the action as possible.

Sydney to Hobart: A “Wild Thing” experience

Every year on Boxing Day, the peaceful waters of the Sydney harbour become rough and wild with nearly 100 yachts making their way to Hobart – a race that I’ve covered 3 times now.

YACHTING/

Photographers are assigned to media boats to get close to the main yachts. Very often you get so close to the massive super-maxi yachts that you feel like crashing every now and then. Despite this feeling, and my severe motion sickness, the Sydney to Hobart yacht race is an event I enjoy covering.

AUSTRALIA/

This year it seemed like another day for me to enjoy my job. The adventure started at 11.30 GMT when A-Team, the media boat that I was on, departed from the Marina in Sydney’s lovely Rushcutters Bay. We were next to the big super-maxis as they warmed up for the race scheduled for 13.00 GMT. We were ready for the start of the race, waiting for the big yachts to sail past, close enough for us to get the pictures. But only 4 minutes after the start of the race a really wild thing happened, triggering 20 seconds of one of my worst nightmares.

The Life of an Aussie Immigrant

By Daniel Munoz 

After a 24-hour flight,  three almost deadly wrong-way turns while driving jetlagged in Sydney and a soccer game with the Thomson-Reuters team (of course we won 2-0), things are looking good in Australia.

Pic 1

When you come to Sydney from a country like Colombia your life changes in an unforgettable way, my first couple of hours here were full of exciting feelings. Tim Wimborne, my boss here, picked me up at the airport and took me and my wife straight to Lady Macquaries Chair, a park with the best view of Sydney Opera House and Harbour Bridge. It was the best possible introduction to this city and filled our eyes with tears of joy.

Pic 2

Shooting is no less joyful here with four swimming world records, the Olympic torch relay in Canberra, Cate Blanchet, nice standalones and the fashion week in Sydney makes for a file rich in colour and makes me happy too.