Photographers Blog

from Russell Boyce:

Asia – A Week in Pictures, March 27, 2011

Russell Boyce

Mar 27, 2011 23:06 EDT

Japan continues to dominate the file from Asia with new photograhers rotating in to cover the twists and turns of this complex and tragic  story.  In a country were the nation rarely buries its dead, the site of mass graves is quite a shocking scene to behold. Holes the length of football pitches are dug in the ground with mechanical digggers and divided into individual plots by the military and are then filled with the coffins of the victims of the tsunami. Family members come to weep and pray over the graves. Some are namless and marked only with DNA details, others bear the names of the victims. There is not enough power or fuel to cremate the thousands of bodies that are being recovered from the disaster zone. 

Members of the Japan Ground Self-Defense Force carry a coffin of a victim of the earthquake and tsunami to be buried at a temporary mass grave site in Higashi-Matsushima, in Miyagi prefecture, northern Japan March 24, 2011. REUTERS/Yuriko Nakao

People who have either been made homeless by the tsunami or have fled the 30km exclusion zone around the stricken nuclear plant live out their lives in evacuation centres, not sure what the future will hold. There is a backdrop of growing concern over the radiation that is continuing to leak out into the atmosphere from the nuclear plants in Fukushima.  Thousands of people are still unaccounted for, international help has arrived to help with the massive task of clearing up, industry is still crippled and the weather is poor.  Next week, a school will reopen at a temporary site, 80% of the classes are either dead or missing. It is under these conditions our team of photographers continue to work. Again I wil let the pictures speak for themslves.

Members of the Japan Ground Self-Defense Force salute after placing coffins of earthquake and tsunami victims at a temporary mass grave site in Higashi-Matsushima, in Miyagi prefecture, northern Japan March 24, 2011. REUTERS/Yuriko Nakao

from Russell Boyce:

Asia – A Week in Pictures January 30, 2011

Russell Boyce

Jan 30, 2011 20:08 EST

Even though the world's gaze is firmly focused on the events in Egypt and Tunisia, top stories continue to break in Asia. Last week during my morning call with Enny Nuraheni, our Indonesia Chief Photographer, she told there was a ferry on fire with hundreds on board, a train had crashed and Mount Bromo was spewing ash, all on the same day.  In Japan Mount Kirishima was erupting, thousands of birds culled to try to stop the spread of bird flu and the economy and government were under pressure.  But all Japanese worries were forgotten briefly as Japan beat Australia 1-0 in the AFC Asian Cup final in Doha. 

Volcanic lightning or a dirty thunderstorm is seen above Shinmoedake peak as it erupts, between Miyazaki and Kagoshima prefectures, in this photo taken from Kirishima city and released by Minami-Nippon Shimbun January 28, 2011. Ash and rocks fell across a wide swathe of southern Japan straddling the prefectures of Miyazaki and Kagoshima on Thursday, as one of Mount Kirishima's many calderas erupted, prompting authorities to raise alert levels and call on for an evacuation of all residents within a 2 km (1.2 miles) radius of the volcano. REUTERS/Minami-Nippon Shimbun

Issei Kato's picture of Prime Minister Kan addressing parliament is as frenetic as the politics themselves, while Kim Kyung-Hoon's picture to illustrate the economy perfectly timed as the eye is drawn into the frame by all the elements that appear in to be in choreographed perfection. If the apocalypse is coming it is sure to come in one of two forms; the eruptions of fire, smoke and lightening or the eerie silence of spreading disease. We had two pictures giving us a sneak preview of our potential fate. A wonderful image of the sheer beauty of the power, energy, light and colour of Mount Kirishima erupting and the whisper of deadly fumes as fully masked workers with red and blue targets sprayed on their white overalls, cull the hapless birds.  

Workers wearing protection suits cull chickens at a poultry farm where the bird flu virus had been found in Miyazaki, southern Japan January 24, 2011. The Miyazaki prefecturalgovernment stepped up its efforts to fight bird flu on Monday, after it confirmed infections at a second local poultry farm and began culling about 410,000 chickens there the previous day, Kyodo news reports. REUTERS/Miyazaki prefectural government office

from Raw Japan:

Call me “Crasher”

My nickname among the Reuters photographers in Tokyo is "Crasher".

They call me that because I always seem to get pictures right at the moment of a crash whenever I cover motorsports.

One colleague sometimes teases me saying "You’ve got to stop pouring oil on the track," and I answer: "I would never use oil -- I only use banana skins!"

In motorsports the most exciting moment you can capture in a picture is a crash.

That instant can be the difference between life and death, and it’s a picture that is most difficult to capture.

The story behind the Pulitzer picture

Reuters Bangkok senior photographer Adrees Latif tells how he took the pictures which won him a Pulitzer Prize. The pictures were taken in Myanmar during the protests in September last year and include the photo of Japanese video journalist Kenji Nagai being shot.

“Tipped off by protests against soaring fuel prices, I landed in Yangon on 23 September, 2007, with some old clothes, a Canon 5D camera, two fixed lenses and a laptop.

For the next four days, I went to Shwedagon Pagoda, two-three kilometres from the centre of town and waited for the monks who had been gathering there daily at noon.

Since I was at the same pagoda every day, dozens of people, including monks, asked me who I was and what I was doing. As the ruling military regime is notoriously secretive, my replies were guarded.

Barefoot in maroon robes, and ringed by civilians, the monks chanted and prayed before starting their two-kilometre march to the Sule Pagoda in downtown Yangon. Each day their numbers grew, from hundreds to thousands.

By 27 September, the city had become packed with troops. Soldiers and government agents stood at street corners.

Get your snouts out

Business and economy news is one of the most challenging parts of covering the story in Tokyo.Why? Fashion shows have their beauties, red carpets have their stars, and sporting events have their action, but what is going to catch a reader’s eye and make them do more than glance at our picture on a story about GDP? In Tokyo we’re trying to make our financial coverage as compelling as other subjects and our approach is to try to have fun with these assignments, and working around the tight access restrictions. What we see is tightly controlled, and even in news conferences we are usually corralled into a small section of the room and forbidden to move. The subdued demeanor and limited variation in clothing (black, navy or gray suits) worn by this country’s business leaders is another challenge. There are no Richard Bransons here. Not even a Bill Gates. We had a Carlos Ghosn, but he isn’t around much anymore.

Executive Interviews:

It’s easy to get beaten down and lose hope when we walk in to shoot photos of the CEO of an industry-leading company only to find the room is lit with dim florescent lights and the only decoration is nicotine-stained curtains. But the great thing about an interview is that unlike a crowded news conference you can set up lights, move around and seize control of the light away from the florescent strips in the ceiling and do some fun strobe work. I like snouts because they’re great for getting rid of the phones, plants, decorations, thermostats, light switches and anything else that clutters up a photo. A snout can be anything that fits over the head of your strobe to limit the spread of the light from it, letting you control where light falls and where it does not.

GDP and other Economic Figures

GDP and other economic figures are broad enough that you could almost shoot anything for these, but at the same time it’s a bit bewildering to try to sum up a country’s economic mood with one frame. I think we’re most successful when our pictures are beautiful and convey a strong mood at the same time, as in the photo below.