Photographers Blog

Stopover in Mexico: The train to dreams

By Edgard Garrido

What really happens when a man, or a woman, or even a child, abandons their home motivated by the idea of a better life? How do they imagine it? What do they wish for, what are they missing?

There is violence, overcrowded neighborhoods and gigantic infrastructure on the outskirts of Mexico City but there are also hundreds of thousands of people who walk day and night; different people every day and every night for weeks and months next to the train tracks, trying to jump on a train car filled with merchandise as the train passes. Fear is engraved in their faces and makes their feet heavy. Solitude, hunger, the cold and above all a painful uncertainty, are carried with them. They left behind their homes in a land without miracles and few joys, like the last of the deserts.

In Huehuetoca, 67 km (41 miles) from Mexico City:

Edgard: (photographer) “Hi, what’s your name? Where are you from?”
Carlos: (migrant) “Hi, I’m from Honduras, and you?”
Edgard: “From Chile”
Carlos: “From Chile! How are you Alexis (a reference to Chilean soccer player Alexis Sanchez), have you been to Honduras?”
Edgard: “Yes, I lived in Honduras for several years”
Carlos: “And you’re not afraid of migrants?”
Edgard: “No, why should I?”
Carlos: “Because people say we are thieves and gang members. That we rape girls and that we only do damage.”
Edgard: “But not all of them. From what part of Honduras are you?”
Carlos: “From Tegus… (the capital Tegucigalpa)”
Edgard: “What neighborhood?”
Carlos: “Did you get to know Little Hell?”
Edgard: “Behind the Basilica, going down the staircase. Are you a member of a gang?”
Carlos: “You’re definitely not afraid of migrants! You wanna have a beer?”
Edgard: “How far are you traveling?”
Carlos: “Well, up north, to Uncle Sam (laughs). I’ve been there and they have deported me nine times, but here I go again. I know the tracks like no one else. Come on, let’s have a beer.”

I’d been asked to cover the possible dismantling of a provisional migrant shelter in Tultitlan, on the outskirts of Mexico City. It was about to be shut down due to the innumerable complaints from neighbors. The official shelter had been shut down for just the same reason, complaints by the neighbors about thieves, drunks, robbers, rapists and drug dealers they see in every migrant.

The provisional shelter was a giant tent set up underneath a bridge. Some 100 migrants were there when I arrived. Employees from the Mexican migration office were offering migrants the possibility to return legally to their home countries if they wished to do so. There seemed to be a lot of people wanting to go home. They were tired; they had been victims of kidnappers, extortionists and sometimes even of their own travel companions. Some were injured while trying to board the train in motion, others when they fell off.

from Russell Boyce:

Asia – A Week in Pictures 3 October, 2010

At the beginning of the week I had my doubts that we would actually see pictures from two major events taking place in Asia; North Korea's ruling Workers' Party conference, the biggest held for 30 years intended to push ahead the succession process for Kim Jong-il's son Kim Jong-Un and the opening ceremony for the Commonwealth Games in Delhi. As it turned out, the pictures from both fronted publications around the world.

KOREA-NORTH/

Kim Jong-un (8th L, seated), the youngest son of North Korea's leader Kim Jong-il (C), poses with the newly elected members of the central leadership body of the Workers' Party of Korea (WPK) and the participants in the WPK Conference, at the plaza of the Kumsusan Memorial Palace in Pyongyang in this picture released by the North's KCNA news agency September 30, 2010. North Korean state media released a photograph on Thursday of the reclusive state's leader-in-waiting Kim Jong-un. North Korean leader Kim Jong-il anointed his youngest son as successor this week, promoting him to senior political and military positions. REUTERS/KCNA

The pictures we received from KCNA, the official North Korean news agency, are truly historic in the visual tradition of  announcements by the communist state - a very wide group picture including everything . It is the cropping of these images that reveal their true value. Sometimes I am asked what pixel quality do we need for news pictures - the answer is simple - if the picture is important enough it doesn't matter what the quality is, it will get used.  The two pictures below are cropped from the group portrait.

On the roof of a train, picking up speed

Every year, millions of residents in Dhaka travel to their hometown from the Bangladeshi capital to celebrate Eid al-Fitr, which marks the end of the Muslim fasting month of Ramadan. Thousands use public transportation. I was determined to travel with them to experience this hectic mode of transport.  I went to a local train station opposite the national airport in Dhaka on September 20, the last day before Eid.

I reached the station early in the morning and found thousands of people waiting on the platform. There were trains arriving but they were fully packed with people. There was not even space on the rooftop of the trains. In spite of this, people were crawling on top and inside the carriages like ants, sometimes even fighting with each other.  Twice I failed to get onto the train. Finally, I managed to get on with the help of a young woman. The woman struggled to get on the train with her 4-year old child. I was just behind her, and as soon as she got on she pulled me up.

While sitting amongst the crowd, I started taking pictures with my 5D camera and a 16-35mm lens. After a few shots I tried using a slow shutter speed, but as the train was jerking it was difficult to capture a sharp frame. Then I tried different shutter speeds, changing the f-stops from 11 to 22. Suddenly, I spotted a woman in the middle of the two carriages. At first I framed the shot with the woman at the top. I managed to maneuver my way among the crowd and lay down to keep my hand steady. I composed the picture with the men’s feet and played with changing the f-stop and shutter speed on alternative exposures. I kept my ISO at 100 as I knew that a fast ISO would not achieve the blurred effect. The f-stop was narrow as I tried using slow shutter speeds. I was getting a huge depth-of-field to keep my subject in focus. I shot several exposures on different f-stops from 1/4 to 1/60. The train was jerking so much that half of my shots were blurred. I was continuously trying to find the right shutter speed on the right moment.  Finally I found it. A shutter speed of 1/6 at f/16 was the best among the few perfect exposures.