Photographers Blog

Revisiting the ghosts of Aceh

By Beawiharta

I remember well the 2004 tsunami in Aceh. I stayed for more than six weeks in Banda Aceh and then flew back to Jakarta to recover. In Jakarta, I cried everywhere when nobody was around me; at the office, at home, on the street, I was always crying. The situation was embarrassing, but I couldn’t stop the tears. They were automatic.

My brain couldn’t run from the images that I took of the tsunami aftermath. The counselor told me that I must go back to Aceh to take different pictures; positive pictures. Like people building their houses or shop stalls, children going back to school or singing songs happily.

Last week, I flew back to Aceh to cover the 8.6 magnitude earthquake. When I heard confirmation that there was no resulting tsunami, I was happy because I would not be taking pictures of sadness again here, in Aceh.

Empty spaces

Carlos Barria

Mar 20, 2012 12:38 EDT

By Carlos Barria

A year ago I went to Japan to cover the aftermath of the earthquake and tsunami that destroyed the country’s northern coast.

At the time I was shocked by the scale of the destruction and felt I needed to show the magnitude of the disaster. I tried to fill my pictures with as many elements as possible. I even took a series of panoramic-format photographs, for a wider view.

My pictures at the time showed spaces filled with pieces of houses, twisted cars and people’s belongings– the debris of daily life.

Then two weeks ago, I returned. I found myself walking in some of the same spots I visited originally. Things hadn’t changed too much; little seemed to be rebuilt. But all those spaces were clean and somewhat empty this time. It was hard for me to visualize houses or other buildings standing there, as they once had.

The place that adults fear

By Toru Hanai

March 11 is here again in Japan.

A year after the tsunami devastated Higashi Matsushima city in Miyagi, seven-year-old Wakana Kumagai visited the grave of her father Kazuyuki with her mother Yoshiko, brother Koki, and her grandparents.

I first met Wakana last April, just weeks after the magnitude 9.0 earthquake and huge tsunami devastated Japan’s northeast Pacific coast. The school year begins in April here in Japan, and Wakana was carrying her new, shiny red school backpack as she visited her father at a temporary graveyard that housed those who died from the tsunami. She gracefully bowed to her dad, showing off her new bag and her dress she wore for the first grader’s ceremony as if she were at a ball, and told him that she just attended her school for the first time. Her graceful bow struck my heart.

Clinging to life in a tsunami zone

By Toru Hanai

Choufuku Ishisone of Miyako, Iwate prefecture, owns a convenience store.

On March 11, 2011, Ishisone was driving to see his store after checking on his house following the earthquake and saw a black tsunami wave roar over a seawall. He made a U-turn, but the tsunami struck him from multiple directions, sending his car afloat. The engine stopped. He jumped out of the car in a hurry but lost his footing in the tsunami and was swallowed up in the thick, black water.

He managed to avoid cars, ships and other debris carried by the tsunami but the water level continued to rise steadily. Grabbing onto a power line pole as he was swept past, he scrambled up so desperately that he was about five meters high before he knew it.

“I want to be saved! That one feeling kept me climbing,” he said. “Then I thought I had to get off the pole somehow, but the water didn’t go down, which was very irritating.”

It began to snow, chilling Ishisone, whose clothes were wet. As some three hours passed and it grew dark with no signs of rescue, Ishisone climbed down the pole and swam to a city office annex building. Finally he thought, “I’m safe.”

One year from that day

By Toru Hanai

It will soon be one year from that day – March 11, 2011.

Greetings among friends who meet after a long absence begins with, “Where and what were you doing on March 11?”

On March 11, 2011, I was photographing Prime Minister Naoto Kan during a committee session at the Parliament building in Tokyo.

At 2:46 p.m. the world started to shake really slowly.

I felt fear as the magnitude 9.0 earthquake struck, not only because of the intensity of the shaking but also the duration of it.

I was absorbed as I continued to take pictures of the prime minister reacting to the quake.

Healing power of photography

Yuriko Nakao

Mar 2, 2012 14:16 EST

By Yuriko Nakao

The 3.11 Portrait Project brings smiles to the victims of the triple-whammy disaster through the power of the photograph

After the magnitude 9.0 earthquake rocked Japan in March 11 last year, as a photographer for a newswire service, I had many chances to document reality, which was often depressing and shocking. However, at times, I would feel rewarded when my work brought positive results by inviting support and compassion from around the world to those who were suffering. However, still, the support was often not directed specifically to the person pictured in my shots, which often made me feel helpless.

Japanese photographer Nobuyuki Kobayashi, 42, had experienced a similar feeling. His main field of photography was mostly to shoot commercial photos but past assignments included regions in conflict, and disasters such as the earthquake which hit off the coast of Sumatra, the 1995 Kobe earthquake and the attacks on 9/11. As what many Japanese photographers did after Japan experienced the worst catastrophe since World War Two, Kobayashi went up north to take photographs after his friend in Iwate prefecture asked him to. He shot pictures of the disaster and rubble in northeastern Japan, but came to question whether that was the role he should play.

His conclusion was no.

“People were striving to move forward despite their difficulty and I hoped by photographing their portrait, it would offer them courage and hope, and possibly give them momentum to take a positive step forward towards the future,” Kobayashi said.

A fisherman’s sad tale

Yuriko Nakao

Mar 1, 2012 23:04 EST

By Yuriko Nakao

Seaweed grower Takaaki Watanabe took to the sea in his boat before the massive tsunami roared into the northeastern Japanese town of Minamisanriku, becoming one of a lucky few to save the vessel essential for their livelihood.

But back on shore the raging waters of March 11 swept away his wife, his mother and his house, built on land in his family for 13 generations, though his three teenaged daughters managed to survive.

“At that time, I wasn’t sure whether I could actually resume the cultivation (farming seaweed, scallops and oysters). I had no way of knowing my future,” he said recently.

Now, nearly a year later, the 48-year-old Watanabe has lost 5 kg and four teeth, but is starting to see tentative signs of rebirth as the result of his hard work since the massive wave touched off by the 9.0 magnitude offshore earthquake destroyed a vast swathe of his town, one of the hardest hit.

Much of this is due to the new – and still unusual – measures he and other fishermen have taken to preserve their livelihood: banding together to work in small groups rather than alone or in family units, as was always traditional.

With or without you

Yuriko Nakao

Feb 27, 2012 19:00 EST

By Yuriko Nakao

One photo of a young woman, wrapped in a beige blanket and standing in front of a pile of debris, became one of the iconic images right after Japan’s massive 9.0 magnitude earthquake, which triggered huge tsunamis that devastated a wide swathe of northern Japan.

Reuters, along with other major agencies, picked up the photograph run by Japan’s Yomiuri Shimbun newspaper, shot by Tadashi Okubo, a photographer with the paper. The image was published extensively around the world, and many people came to know her as the woman wrapped in a blanket.

(Yomiuri Shimbun)

Her name is Yuko Sugimoto. She is 29 and the mother of a five-year-old boy and was born and raised in Ishinomaki, where the photograph was taken. Around 3,800 people perished in Ishinomaki alone, the highest death toll for any individual city.

When the photograph was taken at 7:00 a.m. on March 13, she was staring in the direction of her son Raito’s kindergarten, which was surrounded by piles of rubble and still partly submerged by seawater. She had been searching for him since the quake hit two days before, but in vain.

Flirt

Damir Sagolj

Feb 27, 2012 08:55 EST

Photographer Damir Sagolj won second place in the multimedia story section of the POYi awards for the following piece on the aftermath of the devastating earthquake and tsunami that struck Japan in March 2011.

View more of Damir’s photographs from Japan here.

Tragedy in Fukushima: when can we go back to home again?

Kim Kyung-Hoon

Feb 13, 2012 11:51 EST

After covering myself from head to toe in protective clothing in the hope of protecting me from radiation, I went to accompany evacuees who were temporarily allowed to visit their homes in the 20 km no-entry zone surrounding the tsunami-crippled Fukushima nuclear power plant, a place now notorious for its radiation leaks.

My destination was Okuma town where the whole population of about 11,000 had been evacuated since last year’s earthquake. The town is still afflicted with high levels of invisible radiation.

In the evacuees’ memories, the town was a beautiful rural town with a close-knit community and the only unusual thing was that the Fukushima Daiichi nuclear plant was located close by.

Most residents accepted the nuclear plant because they believed in TEPCO, the operator of the nuclear power plant, and the government had told them their safety standards were impeccable. Some of the residents were skeptical but they could not raise awareness of possible dangers posed by the nuclear plant because it provided employment to the locals and it also gave financial subsidies to their local towns which were used to build infrastructure such as good roads and schools in exchange for tolerating the power plant which supplied electricity to urban areas.