Photographers Blog

Two worlds of Purim

Nir Elias

Mar 9, 2012 13:43 EST

By Nir Elias

As an Israeli and a resident of “ultra” secular Tel Aviv for most of my adult life, Purim — the celebration of the Jews’ salvation from genocide in ancient Persia, as recounted in the Book of Esther — has always been a time of partying and dressing up, for me.

Images of Orthodox Jews celebrating Purim were always very familiar. But being present at one of these celebrations was a different experience altogether.

This year I went to photograph the Vizhnitz Hasidic community in Bnei Brak, an ultra-Orthodox city some 7 km (4 miles) from Tel Aviv. The Vizhnitz community members tend to emphasize the joyous gatherings and celebrations commemorated in the Jewish tradition.

When I arrived at their huge hall, it was mostly empty, but within less than an hour it was packed. The atmosphere was welcoming and warm. Thousands stood on grand-stands surrounding the hall and waited for their Rabbi to arrive. When he entered, there was a burst of singing and clapping and one could clearly feel the excitement. They sang songs praising God and emphasizing the importance of being happy during the festival with enthusiasm even though they had fasted the whole day, as is customary on Purim. They also read in unison from The Book of Esther. The atmosphere was electrifying. Looking around, many of them seemed entranced as they joined in to the loud singing and dancing.

Editing the Oscars

Reuters photo editors Peter Jones and Sam Mircovich explain the process of transmitting hundreds of images from Hollywood’s premier event – the 84th Academy Awards. Photos created by Mike Blake in the Oscar photo room are quickly sent from camera to editor, reaching clients around the world.

Click here for a look at photographers covering all angles of the red carpet.

Red carpet moments

Tuxedo-clad photographers and editors come together for Hollywood’s most anticipated night – the 84th Academy Awards. Mario Anzuoni, Lucas Jackson and Lucy Nicholson take spots on the congested red carpet to capture the styles of the stars, looking for glamour, intimacy and surprising moments.

In this multimedia piece, Lucas turns the camera toward the photographers themselves.

Oscar photographers:

Mario Anzuoni – Arrivals 2

Mike Blake – Photo Room

Gary Hershorn – Awards Show

The children of Dadaab: Life through the lens

Natasha Elkington

Oct 25, 2011 09:33 EDT

Through my video “The children of Dadaab: Life through the Lens” I wanted to tell the story of the Somali children living in Kenya’s Dadaab. Living in the world’s largest refugee camp, they are the ones bearing the brunt of Africa’s worst famine in sixty years.

I wanted to see if I could tell their story through a different lens, showing their daily lives instead of just glaring down at their ribbed bodies and swollen eyes.

It was a challenging project. As one senior photographer asked, how else can we tell the story without showing images that clearly illustrate the plight of the starving millions? Few photographs cover all aspects of life in the camps.

Many of Dadaab’s children are dying. And then there are others who, despite living in the world’s oldest refugee camp, embrace their childhood; they play, go to school, care for their siblings and collect water for their families. I wanted to incorporate all of these aspects of life for Dadaab’s children into this project.

To tell the story, I combined Reuters photography captured during the height of the famine with footage I had collected when I was in Dadaab six months ago, before the severity of the crisis hit international headlines.

The point is, when news of the famine made it to the front pages, the children I had filmed in Dadaab were now only perceived as children on the frontline of famine. Not just as children who were excited with the furor we brought to the camp.

Off the runway at NY Fashion Week

Reuters photographer Brendan McDermid shares his experience covering New York Fashion Week, with the logistics of shooting backstage, the shows and everything in between.

Earth Hour: The world unplugged

Corinne Perkins

Mar 27, 2010 23:58 EDT

A combination picture shows Berlin’s Brandenburg Gate before (top) and during Earth Hour March 27, 2010. REUTERS/Fabrizio Bensch Reuters’ photographers around the world were out in full force on Saturday to capture their city’s landmarks as the lights went out for Earth Hour.

From Beijing to Berlin, before and after photographs were taken and combined into this short video to illustrate the symbolic one-hour switch-off.