Reuters Editors

from Afghan Journal:

Pomegranates, dust, rose gardens and war

On a hilltop in central Kabul, the relics of Soviet armoured vehicles sit in the shadow of an incongruously vast and empty swimming pool. A tower of diving boards looks down into the concrete carcass built by the Russians. Boys play football there and on Fridays the basin is used for dog fights; combat is the only option for the canine gladiators, as they cannot climb up the sheer, steep sides. From the vantage point you can see the city's graveyards, its bright new mosques, the narco-palaces of drug-funded business potentates and the spread of modest brick homes where most Kabulis live. It's a favourite spot for reporters when they need to escape the press of urgent events and get cleaner air in their lungs. 

For years journalists have sought to tell stories that go beyond the conflict in Afghanistan. We've tried to portray this country - the crossroads of central Asia, the summer home of Moghul emperors, the cockpit of clashing empires - as more than a place of blood, deprivation and extremism. Amid the dust and the heat it has its oases of tranquility, its laughter and its charms. From the market stalls of sweet pomengranates that line the road in autumn to the rose gardens newly planted in central Kabul, Afghanistan is a place of thorny history, cultural complexity and spartan beauty.

Alas, we cannot ignore the warfare. Great journalistic energy has to go into counting the casualties, explaining the violence and charting the shifting strategies of the combatants. It's a conflict whose outcome is uncertain. The bullets and bombs tear through the flesh of ordinary Afghans, fanatical insurgents and Western soldiers with equal awfulness. A blast takes the life of a child, deprives a wife of a husband and faintly furthers some cause. The impact is immediate and local, but it reverberates harshly in Washington, Delhi, London or Paris.

Can we weave together the warp of war and the weft of daily life in Afghanistan? Yes, in this blog, we hope is the answer. In the tradition of the region's richly patterned carpets, it will be both intricate and stoutly structured, minutely detailed and expansive in scale.

It will gather the impressions, observations and thoughts of our correspondents, video journalists and photographers in Afghanistan, whether they be in Kabul, on embedded assignments with different military units or travelling independently. Infrequent visitors like myself, just returned from Kabul, will contribute. I went to assess the mood, interview officials and see how our large journalistic operation is run. The blog will link our teams in Washington, London, Brussels, Delhi and Islamabad, bringing to bear a unique array of perspectives on the Afghan story.

It should be an intelligent, lively and useful addition to the words, images and video that Reuters already produces to illustrate this dynamic, significant and absorbing story. The blog won't be complete without your views. Please contribute your comments and become part of the debate on the future of Afghanistan. Be partisan if you wish, but kindly remain pleasant.

Welcome to 'The Afghan Journal.'

Giant shoulders and the chain of knowledge

The new world is not so different from the old world – it just moves faster and in different ways.

As early as the 12th century, the image of dwarfs standing on the shoulders of giants came into discourse to mean that all knowledge advances based on the discoveries of the past.

In academia and in journalism that notion has been coupled with the doctrine of attribution – you need to acknowledge the shoulders you’re standing on, to give due credit but also to allow others to search out that perch and see if their view from it is any different.

To me, the current debate about the “Link Economy” in content terms is about:

Are you part of the conversation? Are you adding to the debate or just playing postman and passing others’ views on? Are you adding value and … Are you getting rewarded for adding the value you do?

As head of a journalistic army of 2,700 professionals I obviously have an intense vested interest in ensuring that their work is valuable to readers and valued by them.

Part of that involves ensuring that they are in the centre of the action and that they fill their reports with their expertise and experience. Part of that involves ensuring that they are part of the debate, that their reports inform the debate and that the debate, in turn, informs their future reporting.

Rethinking rights, accreditation, and journalism itself in the age of Twitter

The follow is the text of a speech by David Schlesinger, Editor-in-Chief Reuters News, to the International Olympics Committee Press Commission on June 23.

On May 29th, James Coleman of Bristol smacked his skull on a tree branch while filing updates to the Twitter service (or tweeting) from his Blackberry during a run. His accident spawned a new word: a “Twinjury”.

Just think about it: Jogging, Blackberrying, tweeting simultaneously – what more 21st century manifestation of the spirit of amateur sportsmanship could there be?

That same day, St. Petersburg Times sports journalist Rick Stroud tweeted on his Twitter page about US Football developments: “Hearing reports that Bucs might be interested in Marvin Harrison,” he wrote to anyone following his feed.

His reader/followers read it and believed what he wrote.

Turned out, though, Stroud had different standards for his Twitter account than for his newspaper.

“People, if I tweet something…it’s … speculation,” he said. “If there’s news, I’ll post it on Tampabay.com.”

from For the Record:

After the warm glow, telling the cold, hard truths

Dean Wright is Global Editor, Ethics, Innovation and News Standards. Any opinions are his own.

The president was inaugurated in front of adoring crowds and positive reviews in the media. As the unpopular incumbent sat on the platform with him, the new Democratic chief executive took office as the nation faced a crippling economic crisis. The incoming president was a charismatic figure who had run a brilliant campaign and had handled the press with aplomb. The media were ready to give him a break.

That was 1933, and in Franklin Roosevelt’s case, the media gave him a break.

For Barack Obama, the honeymoon was shorter.

Less than 36 hours after Obama took the oath of office, the White House denied news photographers access to the new president’s do-over swearing in, instead releasing official White House photos of the event. Reuters, The Associated Press and Agence France-Presse protested and refused to distribute the official photos (which nevertheless showed up on the websites of a number of large U.S. newspapers).

This is an important issue for news organisations, the public and for an administration that has promised a new era of transparency in doing the people’s business. How are people to know, for example, that the official photos haven’t been staged?

All U.S. administrations seek to manage the flow of information and the White House and the news media have a complex, interdependent relationship. Each needs the other. But it’s important that media organisations remember who’s most important.

from For the Record:

Reporting in Gaza: Striving for fairness

Dean Wright is Global Editor, Ethics, Innovation and News Standards. Any opinions are his own.

Let’s say it up front: Almost all of you will find something in this column to take issue with.

That’s because the subject is the conflict in Gaza and perceptions of bias in reporting on it. News consumers detect media bias on any number of subjects, but there is nothing like the continuing Mideast conflict to bring out the passions of partisans on all sides.

Here’s a small sample of some of the more restrained comments that have come in to the Reuters reader feedback line:

--“It seems like the whole world wants to condemn Israel for the war/actions it's taking. Sorry Reuters but for me, I can see right through your pro Palestinian slant. Why don't you investigate how a U.N. Camp was used as a staging area for Hamas rockets? …”

--“Your pro Israel reporting from Gaza makes one thing perfectly clear. Israel has some control over Reuters. You are in their pocket. Why else would you choose to slant information?”

­­--“Why does Reuters insist on letting someone such as Nidal al-Mughrabi cover the war on Gaza? His reporting is completely biased and filled with inflammatory rhetoric. Doesn't Reuters have a reporter that understands both sides of the issue and that can JUST REPORT THE NEWS!! I consider such reporting on your part as an insult to my intelligence. Why must you participate in antisemitic propaganda?”

Typewriters, Technology and Trust

Dean Wright is Global Editor, Ethics, Innovation and News Standards. Any opinions are his own.

A little girl in my family got a typewriter for Christmas.

Not a laptop. Nothing with a screen. A typewriter. The old-fashioned manual kind with a smeary ribbon and keys that stick.

Typewriters had pretty much gone the way of dodo birds, car tail fins and cigar-chomping editors who yell “Stop the Presses” quite some years before my granddaughter was born. But it was the typewriter used by the school-age, aspiring journalist in the movie “Kit Kittredge: An American Girl” that captivated her.

Or maybe it was the way the typewriter was used. In the movie, a tween-ish girl, played winningly by Abigail Breslin (“Little Miss Sunshine“), does old-fashioned journalism and writes stories that help right a wrong in Depression-era Cincinnati. Kit may be young, but in a challenging environment she keeps her wits—and a strong sense of ethics—about her.

In today’s rapidly realigning media landscape, typewriters have long since given way to laptops, BlackBerries, camera phones, video phones and Twitter. But here at Thomson Reuters, and in the media as a whole, the need for a strong sense of ethics has never been more necessary.

Not all Hollywood depictions of our profession are that inspiring to would-be journalists — mainly because of the way some on-screen reporters behave.

Does foreign news exist anymore?

One of the side remarks at a debate on journalism I attended was that large British news organisations no longer cover ‘foreign news’. They cover ‘world news’. The argument at a London awards ceremony was that in a globalised world, where a multiplicity of perspectives are available on the Internet, news editors should no longer get correspondents (us) to write about foreigners (them). The belief is that the Us/Them dichotomy reinforces harmful stereotypes and encourages shallow reporting rather than deep and detailed journalism.

Much of the debate was about whether contemporary Anglo-Saxon journalism is doing enough to get beyond stereotyping. Amid that was the nagging fear that audiences do not want to part with their prejudices and that news editors will not give correspondents the opportunity to persuade them. The panel of correspondents lamented the diminishing volume of international reporting in the pages of the mainstream press and on the news programmes of major broadcasters. We know the reasons – competition for viewers and readers, pressure on budgets, an assumption that news from distant places is hard to make relevant to fickle audiences. There was a touch of vocational insecurity to the discussion. Nobody likes to think their profession is changing and is being pushed from the limelight. The panelists were reminded there never really was a golden age for foreign news (if I may be excused the term) and correspondents abroad had always struggled to grab the front page. There was some irony as well to hearing BBC friends worry about the corporation’s appetite for international journalism when, as panel moderator Allan Little pointed out, its roster of foreign correspondents has gone from 10 to over 200 in the last two decades. 

The thornier question was does mainstream English-language journalism deliver an accurate portrayal of the world? Who better to probe the issue than the winners of the annual Kurt Schork award, which celebrates compelling and insightful journalism? Anas Aremeyaw Anas, who won for his bold exposes of human trafficking in his native Ghana, doubted if journalists parachuted from abroad could understand his country effectively. You don’t have the language skills and you don’t have the time it needs, he remarked. Nicholas Schmidle, a young American, won in the freelance category for his stories from Pakistan and Afghanistan on the complexities of the Islamist insurgency. He too spent months on his articles and noted they could not have been done without a network of trusted local guides to help him navigate the issues. 

The BBC’s Bridget Kendall spoke of the tyrannous power of televison images that solidify a cliched view of the world. Print and radio’s spoken word allow more freedom to challenge the settled view. The United States, in particular, was accused of living in a bubble of isolation that its television news programmes rarely challenge with fresh global perspectives. Schmidle said it was not as if Americans did not want to know. “The demand is there, but the demand is not meeting the funds.” 

How else to better reflect the realities of the world? The internet is making space for different views but is mainstream journalism opening the door to seeing things differently? Panel participant Peter Apps, a Reuters correspondent left in a wheelchair by a horrific traffic accident while on assignment in Sri Lanka, called for a more racially diverse workforce in journalism. He recalled being sharply but correctly upbraided by non-white colleagues in South Africa if his articles contained a hint of colonial colouring. Audience members reminded the panel that the BBC World Service does a fine job reporting  Africa from African perspectives. One view from the debate floor was that minority groups within newsrooms have a responsibility to challenge stereotypes.

Schork, who died while on assignment for Reuters in Sierra Leone in 2000, spent his short journalistic career staring at the grimmer realities of the world and trying to strip the layers of obfuscation and deceit from around them. He was always ready to challenge the complacencies and self-deceptions within journalism as much as in the world he reported upon. Good journalism requires that neither challenge stop.

A camera is not a weapon

The Biblical image of alchemy is powerful:They will beat their swords into plowshares and their spears into pruning hooks.

Yet, once again, the alchemy went the wrong way: a soldier mistook a camera for a weapon, fired his real weapon, and a journalist was killed.

Fadel Shana, 24, filming an Israeli tank in the Gaza Strip was killed by that very tank on April 16.

Two months later, there are still no satisfactory answers.

What about his camera could have been confused for a weapon?

What about his “Press”-emblazoned car or flak jacket was ambiguous?

What about his peaceful actions filming a news story could possibly have seemed aggressive?