This week Pakistan marked its day of independence from British rule with parades, parties, face painting and bombs.  Two pictures of faces covered in colour, one paint, the other blood, seems to sum up all there needs to be said about the national pride Pakistan feels while facing so many challenges. Visually the complementary colours of green and red (colours on opposite sides of the colour spectrum) make the pictures jump out of the page especially when put side by side. The angry eye staring out of the face of green in Mohsin Raza’s picture engages the viewer full on while in Amir Hussain’s picture the man seems oblivious of his wound as blood covers his face, again more opposites, this time not in colour but mood. India too is preparing to celebrate its independence and Dehli-based photographer Parivartan Sharma’s picture of festival preparations came to mind after I put together the red-and-green combination picture from Pakistan.  

(top left) A man, with his face painted depicting the colours of the Pakistan national flag, attends a ceremony to mark the country’s Independence Day at the Wagah border crossing with India on the outskirts of Lahore August 14, 2011. Pakistan gained independence from British rule in 1947. REUTERS/Mohsin Raza

China are hosting the 14th FINA World Championships in Shanghai. In my mind’s eye, aquatics is a sport of power, grace, balance and beauty but our pictures seem to add the additional factors of concentration, determination or maybe sheer fear. Against my better judgement, I just have to mention that some of the expressions on the athletes’ faces remind me of the age old tradition of gurning. What also made an impression are the angles, different points of focus and continually new shapes that compliment a file that could have been very repetitive.

Qin Kai of China perform during the preliminary round of the men’s 3m springboard diving event at the 14th FINA World Championships in Shanghai July 21, 2011.        REUTERS/Bobby Yip

I am not a gamer at all but while looking at the file this week was reminded of a facility on electronic gaming my son showed me that allows you to see a different view point of the action. You can have wide, close and closer still. Two pictures of police beating protesters with batons have been shot as close as you can possibly get to the action but for sure this is no game.  Philippines based Romeo (Bobby) Ranoco picture is actually so close that it has been shot over the shoulder of the soldier, who, judging by the blood on the head of the unarmed protester, seems to have scored at least one direct hit . In India  and shot just slightly wider is Jayanta Dey’s picture. The fact that it is shot slightly wider makes sure we are aware that it is actually three soldiers beating a protester and not one. The line of composition created by the baton and the flexed arm creating a perfect compositional triangle – Although I am not sure the protester would actually care about that. 

An anti-riot policeman hits a protester with a baton at a rally against what protesters claim to be U.S. intervention outside the U.S. embassy in Manila July 4, 2011. Filipino and U.S. troops are holding exercises in the Sulu Sea off the western Philippine province of Palawan, which lies near the disputed Spratly Islands. Conflicting territorial claims by several countries over the Spratlys and Paracels are raising tensions in Asia. Besides the Philippines, China, Vietnam, Taiwan, Malaysia and Brunei are claiming the islands as theirs. REUTERS/Romeo Ranoco

I do enjoy a coincidence. The week after calls for prodemocracy demonstrations under the social media tag of “Jasmine Revolution” and the week before  the National People’s Congress (NPC), International journalists (and I of course include photographers under this title) are brought in by the authorities for “chat”. During the “chat” they are reminded of the terms of their journalist visas and how quickly these visas can be revoked if the rules are broken on illegal reporting. Also outlined are places that special permission is needed to report from, Tiananmen Square heading the list. Our picture of a member of the PLA leaving the Great Hall in Tiananmen Square appearing to almost step on the photographer with this low angle picture, as I said I do love a coincidence.

A military delegate from the Chinese People’s Liberation Army (PLA) leaves the Great Hall of the People after a meeting during the annual session of China’s parliament, the National People’s Congress, in Beijing March 4, 2011. China said on Friday that its official military budget for 2011 will rise 12.7 percent over last year, returning to the double-digit rises that have stoked regional disquiet about Beijing’s expanding strength. REUTERS

Cyclone Yasi statistics were impressive, bigger than Katrina that killed more than  1,200 people in 2005, winds of 300 km (186 miles) per hour, more powerful than Cyclone Tracy that hit Darwin in 1974, killing more than  70 people and probably the most powerful in recorded history ever to hit the coast of Australia. The satellite pictures seemed to support all these claims. The expectation of devastation was high. I even began to fret about the claim that the concrete hotel that photographer Tim Wimborne was staying in was actually cyclone-proof. Experts had started to say that  cyclone proof buildings might not be. But Yasi passed and only one poor soul died (asphyxiated in his home by fumes from his own generator), a few homes had their roofs torn off, caravans were swept aside and minimal flooding. The only lasting effect that will hit us all are the increased insurance premiums, devastated banana and sugarcane crops; price rises are promised.

(Top left) A hand painted board protects the front window of a cafe in the northern Australian city of Cairns February 2, 2011. Category five Cyclone Yasi, expected to be the most powerful storm to cross Australia’s heavily populated east coast in generations, is expected to make landfall late on Wednesday night. Thousands of residents fled their homes and crammed into shelters in northeastern Australia as the cyclone with a 650 km (404 mile) wide front barreled toward the coastline on Wednesday. REUTERS/Tim Wimborne

This week the blog should be called A Week (and a few extra hours ) in Pictures as I wanted to share a couple of images that came in late last Sunday and evaded my net as I trawled through the file. Both are from Thailand and both were shot by Sukree Sukplang. The first is a strong portrait of Thai King Bhumibol Adulyadej as he leaves hospital in a wheelchair to attend a ceremony to celebrate his 83rd birthday. The picture seems to me to mirror the respect that the Thai people have for their King. What makes me think this I am not sure; maybe its the side light which creates studio-like modelling on the king’s face highlighting every detail of his appearance, the crispness of the clothes, the beauty of the ceremonial medals and the rich colour of the royal sash. Or maybe it’s just the way he is looking back into the lens, his eyes full of dignity and determination.

 Thailand’s King Bhumibol Adulyadej leaves the Siriraj Hospital for a ceremony at the Grand Palace in Bangkok December 5, 2010. King Bhumibol celebrates his 83rd birthday on Sunday.   REUTERS/Sukree Sukplang

Only days after the world watched the 33 Chilean miners emerge from the bowels of the earth, triumphant, an explosion at another mine, half a world away, is making headlines, but on a much smaller scale. The blast in China is reported to have killed 26 miners and trapped 11, with rescue attempts hampered by coal dust. Last year over 2,600 miners died in industrial accidents in China, whose mining industry is considered the deadliest in the world. The access given to the photographer is quite amazing in the circumstances.

A rescuer is seen in a tunnel of the Pingyu No.4 Coal mine in Yuzhou, Henan province October 16, 2010. An explosion in the Chinese coal mine killed at least 20 miners in central Henan Province on Saturday, state media reported. REUTERS/Stringer