As India heads towards their Republic Day celebrations, Prime Minister Singh makes minor adjustments to his cabinet while outside on the streets people demonstrate over food and fuel price inflation and corruption. Adnan Abidi produces a great picture as a middle-aged demonstrator gets to feel the full force of a police water canon. In stark contrast, B Mathur gets a glimpse of the dress rehearsal of the full military parade planned to celebrate India’s independence where the security forces are deployed in a somewhat different manner. Danish Siddiqui added to the file this week with a well seen picture to illustrate a government spending initiative with a man pulling a pipe across a building site, the shadow creating an eye like image that almost seems to wink at the viewer.
Police use water canons to disperse supporters of India’s main opposition Bharatiya Janata Party (BJP) during a protest in New Delhi January 18, 2011. Thousands of the supporters on Tuesday in New Delhi held a protest against a recent hike in petrol prices and high inflation. REUTERS/Adnan Abidi
Flooding and mudslides have again dominated the week’s coverage in Asia. Reports that one fifth of Pakistan is now under water and over 20 million have been affected by the rising waters. In the northwestern Chinese province of Gansu over a 1000 people lost their lives as a mudslide swept through the town of Zhouqu. It is easy to become visually tired looking at images of people wading waist deep in flood water or seeing another image of a relative weeping for a loved one. In the pictures below even the most jaded eyes and souls must feel the passion of the pictures as photographers tell the story and bring home the desperation of their subject’s plight.
Adrees Latif, chief photographer Pakistan, captures a moment that if it wasn’t so sad would almost be funny. People, whose lives have been shattered by flooding, loss of their homes, hunger and the risk of disease suffer the final humiliation as a relief truck sweeps by driving water over their heads, the driver oblivious of the scene. In another picture in a camp for the displaced Karachi based photographer Akhtar Soomro photographs a boy sitting in isolation who hurriedly eats, his eyes glaring out of the image as he keeps guard in case someone, imagined or real, tries to steal his food.