This week Pakistan marked its day of independence from British rule with parades, parties, face painting and bombs. Two pictures of faces covered in colour, one paint, the other blood, seems to sum up all there needs to be said about the national pride Pakistan feels while facing so many challenges. Visually the complementary colours of green and red (colours on opposite sides of the colour spectrum) make the pictures jump out of the page especially when put side by side. The angry eye staring out of the face of green in Mohsin Raza’s picture engages the viewer full on while in Amir Hussain’s picture the man seems oblivious of his wound as blood covers his face, again more opposites, this time not in colour but mood. India too is preparing to celebrate its independence and Dehli-based photographer Parivartan Sharma’s picture of festival preparations came to mind after I put together the red-and-green combination picture from Pakistan.
(top left) A man, with his face painted depicting the colours of the Pakistan national flag, attends a ceremony to mark the country’s Independence Day at the Wagah border crossing with India on the outskirts of Lahore August 14, 2011. Pakistan gained independence from British rule in 1947. REUTERS/Mohsin Raza
As India heads towards their Republic Day celebrations, Prime Minister Singh makes minor adjustments to his cabinet while outside on the streets people demonstrate over food and fuel price inflation and corruption. Adnan Abidi produces a great picture as a middle-aged demonstrator gets to feel the full force of a police water canon. In stark contrast, B Mathur gets a glimpse of the dress rehearsal of the full military parade planned to celebrate India’s independence where the security forces are deployed in a somewhat different manner. Danish Siddiqui added to the file this week with a well seen picture to illustrate a government spending initiative with a man pulling a pipe across a building site, the shadow creating an eye like image that almost seems to wink at the viewer.
Police use water canons to disperse supporters of India’s main opposition Bharatiya Janata Party (BJP) during a protest in New Delhi January 18, 2011. Thousands of the supporters on Tuesday in New Delhi held a protest against a recent hike in petrol prices and high inflation. REUTERS/Adnan Abidi
In terms of the Ring of Fire, Indonesia had just been too quiet. Warnings that Mount Merapi, which towers above the outskirts of Yogyakarta city on Java island, was about to erupt, were heeded by some and ignored by many. On Monday, a 7.5 magnitude quake triggered a tsunami that hit the remote western Mentawai islands killing at least 343. A day later, Mount Merapi erupted, killing at least 34. It took almost three days for Jakarta based photographer Crack Palinggi to reach the scene of the devastation caused by the tsunami. Beawiharta was quicker to scene of the volcano; needless to say it’s always worth standing well back when people are evacuating from an erupting volcano. Bea’s picture screams panic, heat and noise of those fleeing as hot ash falls to earth, the drama amplified by the flash blur technique used. It is in complete contrast to the picture taken a day later of sombre near silence as rescue workers crunch through the muffled ashen landscape like newly fallen snow.
A woman covers her baby as she runs from ash falling from an erupting volcano at Kaliurang village in Sleman, near Indonesia’s ancient city of Yogyakarta, October 26, 2010. Mount Merapi erupted on Tuesday, prompting terrified villagers to flee and join the thousands already evacuated from its slopes, witnesses said. REUTERS/Beawiharta
A tough week for India as athletes began arriving for the start of the Commonwealth Games. On September 21, a pedestrian walkway outside the Jawaharlal Nehru Stadium in New Delhi collapsed; the very next day a portion of the ceiling in the weightlifting arena also collapsed. Social and mainstream media showed pictures of blocked drains, dirty bathrooms, soiled matresses and unfinished work in the athletes’ accommodation. Team members started to pull out of the games, undermining the status of the event. The enormity of the clean-up task seemed insurmountable, this concern beautifully illustrated by Parivartan Sharma’s picture of a man sweeping dust in the streets with a hand brush – a seemingly pointless task when CWG president Fennell said that there was still “considerable work to be done”. Have a close look at Reinhard Krause’s picture of the roof of the weight lifting arena and make your own judgement on the workmanship of the construction. As someone who has not got a great head for heights I fear for the safety of the workers walking on the roof of the building.
A man sweeps under a flyover in front of the Commonwealth Games athletes village in New Delhi September 25, 2010. Commonwealth Games Federation President Michael Fennell said on Saturday there was still a considerable amount of work to be done and there was great concern about the security and safety of athletes and officials. REUTERS/Parivartan Sharma
As the anniversary of the 9/11 attack coincided with Eid celebrations, Florida based Pastor Terry Jones announced that he would burn the Koran as a protest to plans to site a Muslim cultural centre near Ground Zero , stoking tensions in Asia. Add into the mix millions in Pakistan suffering from lack of water, food and shelter after floods, a parliament election in Afghanistan and a U. S. -led military campaign against the Taliban around Kandahar – photographers in the region had lots of raw material to work with.
Raheb’s picture of relief and joy caught in the harsh light of a direct flash seems to explode in a release of tension as news spreads that Pastor Jones had cancelled his plans to burn the Koran. It has to be said that ironically earlier in the day in Pakistan US flags were burned in protest against the planned protest.
One of the greatest pleasures in editing photographers work is finding an interesting visual nugget that may have already been missed. In years of looking at raw material a common trait I have spotted is that photographers who are headed to an assignment see something they are attracted to and take a picture of it thinking “that looks interesting”. The assignment is shot, the pictures are quickly edited, captioned and transmitted but the picture that was instinctively taken because it was interesting is often condemned to the darkness of the archive folder on the backup hard drive, never to be transmitted because it was not part of the assignment.
I was asked by our Hanoi based photographer Kham to have a second look at his file of the state visit of East Timor’s President Jose Ramos Horta to Vietnam; a good selection of handshakes, parade inspections and smiling suits. Then a pleasant surprise – at the end of the file were eleven frames of a fully dressed woman, nose and mouth covered with mask, wearing a traditional Vietnamese hat wading chin deep in water.