Shilpa's Feed
Mar 22, 2013
via India Masala

Aatma: No soul in this horror flick

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(Any opinions expressed here are those of the author and not of Reuters)

The real test of a good horror movie, at least in my book, is when you can’t stop thinking about it and feel a shiver down your spine at night. All the great horror movies do that to you.

Suparn Varma’s “Aatma”, about a violent man who abuses his wife in life and in death, is one film that doesn’t scare you most of the time. Instead, there is much twiddling of thumbs as you wait for the next predictable twist and yet another person to die on the way to the climax.

Mar 21, 2013
via India Masala

Does Sanjay Dutt deserve sympathy?

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(Any opinions expressed here are those of the author and not of Reuters)

First, the facts — the 1993 Mumbai blasts killed 257 people, more than 100 people were convicted, and it took more than 20 years to deliver justice in a case that has all but faded from the nation’s collective memory.

And yet, if you looked at the headlines on Thursday, you would be forgiven for thinking the Supreme Court ruling was only about actor Sanjay Dutt. And the only tragedy was the one that had befallen Dutt and his family members.

Mar 15, 2013

Indian TV’s romantic hero makes a play for films

MUMBAI (Reuters) – On his official fansite, Ram Kapoor is described as one of Indian television’s most “scrumptious leading men”. He’s the much-loved star of a daily soap, playing a tycoon who finds love.

Kapoor is turning 40, is portly and hardly fits the stereotype of a romantic icon, but his admirers disagree. On social networking site Twitter, starry-eyed fans beg for retweets and meetings while on Facebook, women confess to dating men who are just like him.

Mar 14, 2013
via India Masala

Jolly LLB: Little justice in this legal tale

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Subhash Kapoor’s “Jolly LLB”, about a small-town lawyer who dreams of fame and wealth but develops a conscience along the way, is the film version of the saying “Don’t judge a book by its cover.”

From the cover (or in this case, the trailer), “Jolly LLB” seemed like a smart, snappy film about the David who takes on Goliath and comes away a hero. The musty, crowded corridors of the lower courts and the machinations that take place there are characteristic of the Indian judicial system and all its pitfalls are an ideal backdrop to this battle.

Mar 8, 2013
via India Masala

Saheb Biwi Aur Gangster Returns: Rerun of the quirky and violent

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(Any opinions expressed here are those of the author, and not necessarily of Thomson Reuters)

A politician learning to video chat, a man trying to draw blood with a rusty knife and a newbie MLA who doesn’t know what a police FIR is - moments that make Tigmanshu Dhulia’s “Saheb, Biwi Aur Gangster Returns” a film that successfully marries the quirky with the violent.

Mar 7, 2013

A Minute With: Subhash Kapoor on ‘Jolly LLB’ and ‘Munnabhai’

MUMBAI (Reuters) – From a struggling director with Bollywood dreams to the man at the helm of the third “Munnabhai” film, it’s taken Subhash Kapoor less than three years.

The former TV journalist hit pay dirt with his second attempt “Phas Gaye Re Obama”, a 2010 film set against the backdrop of global recession, about a bankrupt businessman who is kidnapped by a motley group of gangsters down on their luck.

Mar 7, 2013
Mar 6, 2013

‘Chashme Buddoor’ goes head to head with remake on April 5

MUMBAI (Reuters) – More than three decades after it was first released, Sai Paranjpe’s cult classic “Chashme Buddoor” will woo Indian audiences again on April 5, the same day its modern-day remake opens in cinemas.

Part of Indian pop culture since 1981, director Paranjpe’s brand of satirical comedy in the film has found many fans over the years.

Mar 1, 2013

A Minute With: Madhuri Dixit

MUMBAI (Reuters) – Madhuri Dixit’s smile may have launched a hundred brands but it set many more hearts aflutter.

The actress returns to the big screen this year with her first Bollywood releases since “Aaja Nachle” in 2007.

Mar 1, 2013
via India Masala

I, Me aur Main: Let down by inconsistencies

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(Any opinions expressed here are those of the author, and not necessarily of Thomson Reuters)

I have to confess I didn’t go into Kapil Sharma’s “I, Me aur Main” with too many expectations. The posters certainly did nothing to pique my excitement. But 30 minutes into the film, I was intrigued. This wasn’t a run-of-the-mill story; the protagonist was someone you would want to hit on the head within the first half-hour.

    • About Shilpa

      "Shilpa covers Bollywood and entertainment for Reuters India since 2008. She has previously worked with DNA and the Press Trust of India, covering train blasts in Mumbai, a constitutional crisis in Goa and protests in New Delhi. On Twitter, she's @shilpajay."
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