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Jan 30, 2013

A Minute With: Director Deepa Mehta on “Midnight’s Children”

MUMBAI, Jan 30 (Reuters) – Film director Deepa Mehta is no
stranger to controversy. Two of her movies – “Fire” and “Water”
- were hit by protests from right-wing groups in India, and
there were fears her latest cinematic offering would meet a
similar fate.

“Midnight’s Children”, Mehta’s adaptation of the Booker
Prize-winning novel by Salman Rushdie, opens in Indian cinemas
on Friday. The film, which chronicles the story of an Indian
family living through the tumultuous events of India’s recent
past, features a voice over by Rushdie.

Jan 25, 2013
via India Masala

Race 2: Slow and unsteady doesn’t win this race

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In the world created by Abbas-Mustan, if you are a multi-billionaire who wants to build a casino and are refused permission by the government, you invite the official responsible out for drinks, dance with him and then shoot him in the middle of a crowded discotheque and walk out without batting an eyelid.

In this world of “Race 2”, you can get away with stealing the Shroud of Turin with something as simple as a decoy bomb and people use “sensor technology” to play card games and spy on their loved ones. It may have looked cool 20 years ago, but now it’s just a tad ridiculous.

Jan 25, 2013
via India Insight

Short skirts, bad stars and chow mein: why India’s women get raped

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If you thought the Delhi gang rape would cause a serious debate on women’s rights in India, you’d be half right. Let’s look at the other half: last December’s brutal incident seems to have put a spell on India’s politicians, holy men and otherwise educated people.

From suggesting that the rape victim should have called her rapists “brother” to blaming her stars, plenty of reasons cited for the crime lay the blame on the women whom men brutalise, or portray women in ways that reveal our skewed attitude toward women and their place in our society. When given an opportunity to figure out ways to improve the  education and behaviour of men, and thus try to reduce the  number of rapes that occur in India, many people revert to the  more traditional method: limit the rights of women.

Jan 24, 2013

A Minute With: Abhishek Kapoor on ‘Kai Po Che’

MUMBAI (Reuters) – Director Abhishek Kapoor is ready with his new film “Kai Po Che”, nearly five years after he burst on to the Bollywood scene with the unexpected success of “Rock On”.

“Kai Po Che” is the only Indian film among 31 features to be screened in the Panorama segment at next month’s Berlin Film Festival.

Jan 20, 2013
via India Insight

It’s all in the family: India’s love for dynasties

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Rahul Gandhi is now vice president of the Congress party. Anyone who has been following Indian politics will know that this was inevitable. Despite royal titles having been abolished, Indians can’t seem to give up on the idea of dynastic rule.

Whether it’s politics, business, or even Bollywood, Indians seem to have trust issues with anyone who is not their offspring, preferring to hand over the reins to their sons and daughters, irrespective of whether they might be deserving or not. The desire to make it merely on the basis of family name is reflected in a commonly heard boast at parties or dinner conversation: “Do you know who my father is?”

Jan 16, 2013
via India Masala

Inkaar: Just say no to this one

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(Any opinions expressed here are those of the author, and not necessarily of Reuters)

Sexual harassment at the workplace, office politics and the question of whether women can make it to senior management in misogynistic companies plague many professionals in India.

Jan 15, 2013
via India Masala

Bollywood and sex education

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(Any opinions expressed here are those of the author, and not necessarily of Reuters)

A couple of weeks ago, I watched a Marathi film called “Balak Palak” (Children and Parents). A new crop of film-makers is portraying the burgeoning Indian middle class with its own set of problems and “Balak Palak” is no different.

Jan 11, 2013
via India Masala

Matru Ki Bijlee Ka Mandola: Done in by half measures

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(Any opinions expressed here are those of the author, and not necessarily of Thomson Reuters)

You know it’s a bad omen when a scene in a Vishal Bhardwaj movie reminds you of one in Shirish Kunder’s last film. I felt the dread creep up on me as I watched a scene where a breathless reporter reports a UFO sighting in an Indian village — reminding me of a similar scene in “Joker”, a film that ranked as one of the worst of 2012.

Jan 10, 2013

Pankaj Kapur wants to act a bit before directing again

MUMBAI (Reuters) – His debut film as director didn’t do all that well but Pankaj Kapur is keen to try again — after he sticks to acting for a couple of years.

“Mausam”, starring Kapur’s son Shahid and Sonam Kapoor, was a box-office failure in 2011 and he now wants to focus on his acting career.

Jan 4, 2013
via India Masala

Table No. 21: Passable fare

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(Any opinions expressed here are those of the author, and not necessarily of Thomson Reuters)

As thrillers go, Aditya Datt’s “Table No. 21″ isn’t likely to keep you on the edge of your seat, but you won’t be making a beeline for the exit either. This is one of those in-between films that won’t really make it to your list of must-see movies.

    • About Shilpa

      "Shilpa covers Bollywood and entertainment for Reuters India since 2008. She has previously worked with DNA and the Press Trust of India, covering train blasts in Mumbai, a constitutional crisis in Goa and protests in New Delhi. On Twitter, she's @shilpajay."
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