Shilpa's Feed
Jun 21, 2012
Jun 21, 2012

Rohit Shetty on Bollywood, success and blowing up

MUMBAI (Reuters) – There was a time when Rohit Shetty and his brand of cinema came in for much ridicule from critics and the Indian film industry. The critics don’t seem to have stopped, but the industry certainly has. After delivering two billion-rupee hits, Shetty is Bollywood’s new darling.

Everyone, including Shah Rukh Khan and Karan Johar, wants to work with the director. Shetty’s new film, “Bol Bachchan”, which opens in cinemas next month, stars Abhishek Bachchan and Ajay Devgn.

Jun 15, 2012
via India Masala

Ferrari Ki Sawaari: Would you please hurry up?


Towards the end of Rajesh Mapuskar’s “Ferrari Ki Sawaari“, as the protagonist and his son are re-united and embrace each other, cry and wipe the tears off each other’s cheeks, an onlooker hesitantly asks “aap jaldi karenge zara?” (would you please hurry up?). It might sound like an insensitive thing to say, but perhaps that is what someone should have said to Mapuskar as he went about making this film.

Perhaps he might have restrained himself from writing a convoluted and at times contrived script that seems to stretch on for longer than its 2 hour 15 minute duration.

Jun 13, 2012
Jun 12, 2012
via India Insight

Is Raj Rajaratnam the new Nigerian email?


Just before I clicked on the ‘delete’ button at the top of my spam folder in Gmail, I spotted the name. Asha Rajaratnam, it said, and the mail was titled ‘Namaste’ (a traditional Indian greeting).

“My name is Asha Rajaratnam, I am the wife of Raj Rajaratnam founder of the Galleon Group, New York. I do have a proposal for you, which would be of financial benefits to you and myself,” it said.

Jun 7, 2012
via India Masala

Shanghai: The story of India


There are some films that you watch, not because you want (as Vidya Balan claims in ‘The Dirty Picture’) “entertainment, entertainment, entertainment”, but because they are a reflection of the times we live in, and if these movies didn’t get made, these chaotic times wouldn’t be chronicled for eternity.

Dibakar Banerjee certainly seems determined to be that chronicler for India. In his fourth film “Shanghai”, Banerjee keeps the grittiness of “Love, Sex Aur Dhokha” or “Khosla Ka Ghosla“, but gets more ambitious, with his canvas, dealing with murkier issues like urbanisation, development and the politics of today’s India.

Jun 7, 2012

Emraan Hashmi’s star rises in Bollywood

MUMBAI (Reuters) – If you watched the crime thriller “Footpath” nearly a decade ago, and noticed the lean actor playing Raghu on screen, you would be forgiven for not recognising Bollywood’s rising star.

When he made his debut in 2003, Emraan Hashmi was hardly considered leading man material, and the film industry was happy to label him as part of the “Bhatt camp” — where he worked in films made by his uncles Mahesh and Mukesh Bhatt.

Jun 5, 2012
Jun 5, 2012
Jun 4, 2012

Corrected: Indian TV fights a bleeping battle with censors

MUMBAI (Reuters) – When Bollywood film-maker Kunal Deshmukh set out to make “Jannat 2″ (Heaven 2), a raunchy tale about arms dealing with plenty of swearing and bare skin, he ended up shooting two versions – one for cinema audiences, and the other for television.

Deshmukh was not being extravagant. Like many Indian movie producers and TV broadcasters, he walked a tightrope of catering to the tastes of a rapidly modernizing but largely conservative country, whose censors have scant tolerance for adult content.

    • About Shilpa

      "Shilpa covers Bollywood and entertainment for Reuters India since 2008. She has previously worked with DNA and the Press Trust of India, covering train blasts in Mumbai, a constitutional crisis in Goa and protests in New Delhi. On Twitter, she's @shilpajay."
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