Shilpa's Feed
Jan 31, 2014
via India Insight

South Indian masala remakes no longer a sureshot Bollywood hit

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Once considered a permanent fixture on the yearly slate of most production houses, the masala film, a hodgepodge of romance, action and comedy that revolves around a flawless hero, is slowly losing its sheen among Bollywood audiences.

Box-office figures for such films during the last six months suggest that they have missed expectations. This includes the returns on Salman Khan’s latest release “Jai Ho”, a film that has earned the star — credited with the return of these films — his lowest opening in cinemas yet.

Jan 31, 2014
via India Insight

Movie Review: One by Two

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(Any opinions expressed here are those of the author and not of Thomson Reuters)
Devika Bhagat‘s “One by Two” is the kind of film that best describes the word “wannabe”. It is populated with characters apparently beset with existential issues that seem superficial, and who think passing wind and chilling beer in the toilet is cool.

The plot structure is unusual in that the lead pair only meet in the final scene. But the incidents leading up to it are so drab, convoluted and uninteresting that when it does take place, it is difficult to drum up any enthusiasm for the couple.

Jan 27, 2014
via India Insight

Mumbai’s local delicacies no longer everyone’s cup of tea

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Every day, for the past few decades, Dayanand Shenoy has taken an early morning train to Grant Road station in south Mumbai from his home in the suburb of Borivali. Initially, it was for work but now it’s just for oven-fresh mava cakes from B Merwan.

The bakery, on the ground floor of a dilapidated four-storey building, has many admirers in India’s financial capital. Hundreds line up daily, some at sunrise, to buy cups of sugary tea and some bun maska (sweet milk bread slathered with butter).

Jan 24, 2014
via India Insight

Movie Review: Jai Ho

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(Any opinions expressed here are those of the author and not of Thomson Reuters)

Five minutes into Sohail Khan’s “Jai Ho“, lead actor Salman Khan beats up scoundrels, saves a damsel in distress and breaks into a dance number (along with thousands of background dancers wearing orange sunglasses), singing about what is wrong with India.

Khan sings about farmers dying, women being unsafe and politicians looting the common man. The irony of this spectacle is that it’s been shot in Lavasa, a township in Maharashtra mired in controversy over illegal land acquisitions and regulatory clearances.

Jan 9, 2014
via India Insight

Movie Review: Dedh Ishqiya

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(Any opinions expressed here are those of the author and not of Thomson Reuters)

What a difference a week makes. Last week, the sight of Vijay Raaz and Arshad Warsi in “Joe B Carvalho” was enough to drive someone up the wall. A week later, they are a sheer delight in film-maker Abhishek Chaubey’s “Dedh Ishqiya”.

A rollicking, irreverent and well-executed film, Chaubey’s sequel to his 2010 debut has more of the sparkling dialogue and wit, but better etched characters, and a story that will keep the viewer engaged till the end.

Jan 9, 2014
Jan 9, 2014
via India Insight

Aamir Khan’s recipe for India’s biggest blockbuster

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In the weeks before the release of “Dhoom 3“, actor Aamir Khan got a message from his dentist, who was concerned that his patient’s new film wasn’t being promoted enough.

That was exactly what Khan, who plans the marketing of his films as meticulously as he prepares for roles, wanted to hear.

Jan 9, 2014
via India Insight

A Minute With: Aamir Khan on movie marketing

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Dhoom 3”, the third instalment in India’s only action movie franchise, has become Bollywood’s highest-grossing film, raking in more than 5 billion rupees ($80 million) in global ticket sales.

Lead actor Aamir Khan spoke to India Insight about the film’s marketing strategy, why reality TV shows may not be ideal for publicity and what he would change about his 2005 film “Mangal Pandey – The Rising.” Edited excerpts.

Jan 3, 2014
via India Insight

Movie Review: Joe B Carvalho

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(Any opinions expressed here are those of the author and not of Thomson Reuters)

A contract killer with a schizophrenic personality; a woman who is blind but doesn’t know it; a police officer who spends more time in bikinis than catching criminals; and a detective who never shows any signs of intelligence — these are characters in Samir Tewari’s disaster of a movie “Mr Joe B Carvalho”.

Arshad Warsi plays the title character, that of a detective hired to stop a couple eloping, but finds himself embroiled in another matter. Mahesh Ramchandani’s hare-brained script stops making sense about ten minutes into the film.

Dec 28, 2013
via India Insight

The best (and worst) Bollywood films of 2013

(Any opinions expressed here are those of the author and not of Thomson Reuters)

This was the year of the mega blockbuster in Bollywood. Box-office records were broken in 2013 as more and more audiences thronged into cinemas. It was also the year that Indian cinema celebrated a century of existence, cementing its place as one of the world’s most prolific film industries — one that thrives on its own audiences and talent, without having to borrow from elsewhere.

As for content, it was a mixed year, with an overriding focus on catering to the lowest common denominator to bring in the money. Films such as “Chennai Express” and “Dhoom 3” proved that, backed by a big star, this formula still works like a charm.

    • About Shilpa

      "Shilpa covers Bollywood and entertainment for Reuters India since 2008. She has previously worked with DNA and the Press Trust of India, covering train blasts in Mumbai, a constitutional crisis in Goa and protests in New Delhi. On Twitter, she's @shilpajay."
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